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  1. Travis Bickle is an insomniac ex-marine who works the night shift as a taxi driver in 1970s New York. Chronically lonely and socially inept, he attempts to woo an attractive presidential campaign worker, but his misguided ideas about romance fall flat. Increasingly paranoid, Bickle fancies himself as the decaying city's saviour. — anonymous.

  2. www.metacritic.com › movie › taxi-driver-1976Taxi Driver - Metacritic

    Taxi Driver - Metacritic. 1976. R. Columbia Pictures. 1 h 54 m. Summary Scorsese’s 1976 masterpiece is the all-too-real story of a psychotic New York cabby who is driven to violence in an attempt to rescue a teenage prostitute. [Sony]

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  3. Welcome to our collection of exciting taxi-themed adventures! Hop into the driver's seat and navigate your way through city streets, picking up passengers and completing missions along the way. Each game offers a unique and immersive experience that will test your driving skills and challenge you in new ways.

  4. THE MAKING OF ‘TAXI DRIVER’: LESSONS ON FILMMAKING “With a clear emphasis on style and carrying the philosophical in its dark and gritty movement of visual-audio language, Taxi Driver is an undeniable classic and timeless film, one that most certainly places director Martin Scorsese among the unforgettable filmmakers in cinema’s short history.

  5. Yet, when a serial killer murders his mother, he spends his days in agony. While feeling wronged and broken, Do Ki meets Jang Sung Chul, who recruits Do Ki to work for his company, Rainbow Taxi. Far from an ordinary taxi service, Rainbow Taxi is a secret organization that avenges victims whom the law didn\u2019t protect.

  6. Jan 28, 2010 · Rated. R. Runtime. 113 min. Release Date. 02/08/1976. Much has been put forward about Martin Scorsese’s Taxi Driver and its meaning. Travis Bickle, Robert De Niro’s loner New York City cabbie, has been called an attack on the failed deliverance promised by the 1960s, as boiled down into one man’s troubled psyche.

  7. What makes Taxi Driver great is the way it implicates the viewer. It shows us that, even if most us are not about to kill anyone, we all have certain urges in common with Travis, and we all participate in the stories that Travis draws on to make himself a killer; stories of strong, good, lonely men up against an evil world ( Dirty Harry was a big hit, five years before).

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