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  1. Bat Out of Hell is the 1977 debut studio album by American rock singer Meat Loaf and composer Jim Steinman. The album was developed from a musical, Neverland, a futuristic rock version of Peter Pan, which Steinman wrote for a workshop in 1974.

  2. Jun 10, 2016 · Provided to YouTube by Cleveland International/ Epic/LegacyBat Out of Hell · Meat LoafBat Out Of Hell℗ 1977 Sony Music EntertainmentReleased on: 1977-10-21Ke...

  3. Apr 27, 2013 · Watch the official music video for "Bat Out Of Hell" by Meat LoafListen to Meat Loaf: https://Meatloaf.lnk.to/listenYDSubscribe to the official Meat Loaf You...

  4. All Revved Up with No Place to Go. Meat Loaf. •. 1.5M views • 8 years ago. SUBSCRIBE: https://www.youtube.com/channel/UCCh7iY0jKvjszpQFy9HykAw MEAT LOAF, GREATEST HITS......

  5. Bat Out of Hell Meat Loaf. Released October 21, 1977. Bat Out of Hell Tracklist. 1. Bat Out of Hell Lyrics. 149.5K. 2. You Took the Words Right Out of My Mouth (Hot Summer...

  6. “Bat out of Hell” is the first song of Meat Loaf’s Bat out of Hell album trilogy. It was written by Jim Steinman, who had a love for “car crash songs”.

  7. Meat Loaf Bat Out Of Hell Full Album, Album 1977, Album Completo, Disco Completo, CD Completo, DVD Completo, Con Letras, With Lyrics, Ep, Reaction, Reaccion, Remix 1.

  8. Bat Out of Hell Meat Loaf. AllMusic Rating. User Rating (0) Your Rating. STREAM OR BUY: Release Date 1977. Duration 01:01:53. Genre. Pop/Rock. Styles. Album Rock, Arena Rock, Contemporary Pop/Rock, Hard Rock, Prog-Rock. Recording Date. 1975 - 1976. Recording Location. Bearsville Sound Studios, Bearsville, NY. Hit Factory, New York, NY.

  9. " Bat Out of Hell " is a song written by Jim Steinman for the 1977 album Bat Out of Hell and performed by Meat Loaf. In Australia, the song was picked as the second single from the album in May 1978, accompanied by a music video.

  10. Oct 21, 1977 · A revving Harley of operatic rock purrs at the heart of this 1977 epic. Yes, it proved to be the career catapult for Meat Loaf’s brand of piano-hammering emotion, but its highlights—from the overblown 9-minute onslaught of the title track onwards—are as much the work of lead composer Jim Steinman.

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