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- Born December 31, 1897 in Meredosia, Illinois, Frank Skinner was the composer of more than 200 film scores utilized in close to 500 films. He was the author of several textbooks on arranging, composing and orchestrating music, most notably 1934’s F. Skinner’s Simplified Method for Modern Arranging and 1950’s Underscore.
www.cinemasight.com/oscar-pfofile-442-frank-skinner/Oscar Pfofile #442: Frank Skinner – Cinema Sight by Wesley Lovell
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Frank Skinner (December 31, 1897 – October 9, 1968) was an American film composer and arranger.
Skinner's best-known film compositions include the dramatic main theme for Universal's "Sherlock Holmes" series, starring Basil Rathbone and Nigel Bruce; his classic horror score for Son of Frankenstein (1939); his gentle, romantic themes for Written on the Wind (1956), Imitation of Life (1959) and Back Street (1961); and his effective ...
- January 1, 1
- Meredosia, Illinois, USA
- January 1, 1
- Hollywood, California, USA
May 7, 2021 · In 1934, he published F. Skinner’s Simplified Method of Modern Arranging, and in 1936, he moved to Hollywood to become a film composer. His debut came in an arrangement for MGM’s The Great Ziegfield .
After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films.
Composer: Saboteur. The author of the textbook "F.Skinner's Simplified Method for Modern Arranging" (published 1934) began his musical career as a pianist in vaudeville alongside his brother Carl.
- December 31, 1897
- October 8, 1968
May 2, 2019 · Born December 31, 1897 in Meredosia, Illinois, Frank Skinner was the composer of more than 200 film scores utilized in close to 500 films. He was the author of several textbooks on arranging, composing and orchestrating music, most notably 1934’s F. Skinner’s Simplified Method for Modern Arranging and 1950’s Underscore.
Jan 31, 2022 · Frank Skinner was an important and prolific film composer during the early to mid nineteen hundreds. His book is a must-read for anyone interested in the old days of film scoring.
