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- 1946: Miklós Rózsa for Spellbound (drama or comedy), Georgie Stoll for Anchors Aweigh (musical) # Already a highly successful film composer, Rózsa won his first of three Oscars in 1946, for the Hitchcock thriller Spellbound — a score notable for Rózsa's use of the theremin, introducing that strange new instrument as the signature sound of "eerie."
www.yourclassical.org/story/2017/01/09/oscar-winning-scores-1930s-1940sThe Movies and the Music: Oscar-winning scores of the 1930s ...
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Music (Music Score of a Dramatic or Comedy Picture) - Morton Scott, Dale Butts Sound Recording - Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director
- The 19th Academy Awards
* Music (Music Score of a Dramatic or Comedy Picture) - Hugo...
- The 19th Academy Awards
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.
- Jacob Osborn
- 1934: One Night of Love. - Composers: Louis Silvers, Victor Schertzinger, Gus Kahn. - Director: Victor Schertzinger. - IMDb user rating: 5.7. - Metascore: data not available.
- 1935: The Informer. - Composer: Max Steiner. - Director: John Ford. - IMDb user rating: 7.5. - Metascore: data not available. - Runtime: 91 min. Austrian-born composer Max Steiner was a child prodigy who composed his first operetta by the age of 14, eventually making his way to Hollywood.
- 1936: Anthony Adverse. - Composer: Erich Wolfgang Korngold. - Directors: Mervyn LeRoy, Michael Curtiz. - IMDb user rating: 6.3. - Metascore: data not available.
- 1937: One Hundred Men and a Girl. - Composer: Charles Previn. - Director: Henry Koster. - IMDb user rating: 6.7. - Metascore: data not available. - Runtime: 84 min.
Music (Music Score of a Dramatic or Comedy Picture) - Robert Emmett Dolan * Sound Recording - RKO Radio Studio Sound Department, Stephen Dunn, Sound Director Blood on the Sun
The Academy Award for Original Score is given to the best body of music in the form of dramatic underscoring that is written specifically for a movie. [1] Winners and nominees [ change | change source ]
The Lost Weekend took home four Oscars that night: Best Picture, Best Director, Best Actor and Best Writing (Screenplay). Joan Crawford, whose Mildred Pierce role was a comeback for her after some insignificant roles, won Best Actress.