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  1. Henry Blankfort (December 25, 1902 – June 16, 1993) was an American screenwriter. He wrote the films Youth on Parole, Klondike Fury, Rubber Racketeers, Tales of Manhattan, Harrigan's Kid, I Escaped from the Gestapo, She's for Me, Reckless Age, The Singing Sheriff, Night Club Girl, Swing Out, Sister, I'll Tell the World, Easy to Look At, The ...

  2. Henry Blankfort was born on 25 December 1904 in New York, USA. He was a writer and producer, known for Klondike Fury (1942), Easy to Look At (1945) and The Crimson Canary (1945). He died on 16 June 1993 in Los Angeles, California, USA.

    • Writer, Producer, Additional Crew
    • December 25, 1904
    • Henry Blankfort
    • June 16, 1993
  3. Henry Blankfort was born on December 25, 1904 in New York, USA. He was a writer and producer, known for Klondike Fury (1942), Easy to Look At (1945) and The Crimson Canary (1945). He died on June 16, 1993 in Los Angeles, California, USA.

    • December 25, 1904
    • June 16, 1993
  4. Henry Blankfort, 90, a screenwriter who became a publicist after he was blacklisted during the McCarthy era. A native of New York, Blankfort moved to Los Angeles in 1936 and three years later became director of the Hollywood Theater Alliance, where he co-wrote its "Meet the People."

  5. Jun 22, 1993 · Henry Blankfort, 90, a screenwriter who became a publicist after he was blacklisted during the McCarthy era. A native of New York, Blankfort moved to Los Angeles in 1936 and three...

  6. Henry Blankfort was an American screenwriter. He wrote the films Youth on Parole, Klondike Fury, Rubber Racketeers, Tales of Manhattan, Harrigan's Kid, I Escaped from the Gestapo, She's for Me, Reckless Age, The Singing Sheriff, Night Club Girl, Swing Out, Sister, I'll Tell the World, Easy to Look At, The Crimson Canary, Open Secret, Joe Palooka in the Counterpunch, Joe Palooka Meets Humphrey ...

  7. American writer/producer Henry Blankfort was most active in the years 1942 to 1950. Blankfort's best-remembered credit was the 1942 "omnibus" film Tales of Manhattan. Overall, he seemed less interested in pursuing his Hollywood career and more concerned with politics; in fact, he was one of Tinseltown's most radical communists.