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  2. The Academy Award for Best Animated Feature was first awarded in 2002 for films released in 2001. The entire AMPAS membership has been eligible to choose the winner since the award's inception.

  3. Aug 23, 2013 · Robin Williams presenting Andrew Stanton with the Oscar® for Best Animated Feature for "Finding Nemo" at the 76th Academy Awards® in 2004. Hosted by Billy Crystal.

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    • 2001: Shrek. Studio: PDI/DreamWorks Production; DreamWorks. Oscar Went to: Aron Warner. Film’s Other Oscar Wins: none. Other Oscar Nods: adapted screenplay (written by Ted Elliott & Terry Rossio and Joe Stillman and Roger S.H.
    • 2002: Spirited Away. Studio: Studio Ghibli Production; Buena Vista [Japan] Oscar Went to: Hayao Miyazaki. Film’s Other Oscar Wins: none. Other Oscar Nods: none.
    • 2003: Finding Nemo. Studio: Pixar Animation Studios Production; Buena Vista. Oscar Went to: Andrew Stanton. Film’s Other Oscar Wins: none. Other Oscar Nods: original score (Thomas Newman); sound editing (Gary Rydstrom and Michael Silvers); original screenplay (screenplay by Andrew Stanton, Bob Peterson and David Reynolds; original story by Andrew Stanton).
    • 2004: The Incredibles. Studio: Pixar Animation Studios Production; Buena Vista. Oscar Went to: Brad Bird. Film’s Other Oscar Wins: sound editing (Michael Silvers and Randy Thom)
  4. Animated Feature Film - Sylvain Chomet Music (Original Song) - Belleville Rendez-vous in "The Triplets of Belleville"

  5. Winners of the Academy Award Oscar for Best Animated Feature since 2001.

  6. Sep 24, 2023 · The Incredibles is a thrilling and action-packed animated movie that won the Best Animated Feature Oscar in 2004. Directed by Brad Bird, the film tells the story of a family of superheroes forced to hide their powers and live a normal life until they are called into action to save the world.

  7. Feb 5, 2014 · AWARD OF COMMENDATION. To Arthur Widmer for his lifetime of achievement in the science and technology of image compositing for motion pictures as exemplified by his significant contributions to the development of the Ultra Violet and the “bluescreen” compositing processes.

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