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Stanley Clarke (born June 30, 1951) is an American bassist, composer and founding member of Return to Forever, one of the first jazz fusion bands. Clarke gave the bass guitar a prominence it lacked in jazz -related music. He is the first jazz-fusion bassist to headline tours, sell out shows worldwide and have recordings reach gold status.
Jan 16, 2014 · Stanley Clarke - My Greatest Hits - YouTube. Enjoy the legendary bassist's most popular songs in this video compilation, featuring classics like School Days, Vulcan Princess and more. Discover why ...
- 6 min
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- Universalmusic2012
Stanley Clarke. @StanleyClarkeBass ‧. ‧. 11.1K subscribers ‧ 21 videos. The official YouTube channel of Stanley Clarke, and Bass Nation HQ. stanleyclarke.com and 5 more links.
Silly Putty 1 Day Left!753 Views- June Tour Promo517 Views
- June 27th - Montreal Jazz Festival #jazz #acousticbass #bassguitar #musiclife #montreal651 Views
- Stanley Clarke N 4EVER June 2024 Tour1.2K Views
- Stanley Clarke N 4EVER June 2024 Tour986 Views
- Stanley Clarke's Bass Nation Episode 3 - Clip 24.4K Views
- Stanley Clarke's Bass Nation - Episode 3: The Electric Bass Part 1 (Full Episode)47.8K Views
- Stanley Clarke Thundercat FULL INTERVIEW25.7K Views
Stanley Clarke is an American bassist, composer and founding member of Return to Forever, one of the first jazz fusion bands. Clarke gave the bass guitar a prominence it lacked in...
The Stanley Clarke Band (fea. Hiromi, Ruslan Sirota and Ronald Bruner, Jr.) (2010, Heads Up ) As a Co-Leader: Band Member. RETURN TO FOREVER (with Chick Corea) Return To Forever (1972, ECM) Light As A Feather (Polydor) Hymn Of The Seventh Galaxy (1973, Polydor) Where Have I Known You Before (1974, Polydor)
Nov 15, 2022 · School Days was Stanley Clarke’s third solo album and it was the one on which his compositional skills and his flamboyant bass solos really caught the bass world’s imagination.
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The release of his self-titled Stanley Clarke in 1974 and the widely regarded School Days two years later, took the world by storm, transforming the bass into a melodic and harmonic lead instrument, as never before. Stanley’s hypnotic, innovative approach to playing the instrument liberated the bass from the back to the front of the stage.
