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  1. Andrei Sergeyevich Konchalovsky OZO (Russian: Андрей Сергеевич Кончаловский; born 20 August 1937) is a Russian filmmaker. He has worked in Soviet, Hollywood, and contemporary Russian cinema. [1] [2] He is a laureate of the Order "For Merit to the Fatherland", a National Order of the Legion of Honour, an Officer of the ...

  2. Andrey Konchalovskiy. The Russian theatre and film director Andrei Konchalovsky is an elder brother of Nikita Mikhalkov, born August, 20, 1937. As a youngster he planned to pursue a career of a musician and learned to play piano but his love for cinema outweighed and he entered VGIK-the major state film school where he studied under Mikhail Romm.

    • January 1, 1
    • 2 min
    • Moscow, RSFSR, USSR [now Russia]
  3. Andreï Kontchalovski (en russe : Андрей Кончаловский ; parfois transcrit Andrei Konchalovsky à l'anglo-saxonne, du fait de sa carrière hollywoodienne), né Andreï Sergueïevitch Mikhalkov (en russe : Андрей Сергеевич Михалков) le 20 août 1937 à Moscou, est un scénariste, réalisateur, producteur, acteur et compositeur russe.

  4. Learn about the life and career of the Russian theatre and film director Andrey Konchalovsky, who has made acclaimed films in both Russian and English. Find out his collaborations with Tarkovsky, his awards, his family background and his recent projects.

    • August 20, 1937
  5. Dec 25, 2020 · The career of the Russian director Andrei Konchalovsky is a zigzag affair. There can’t be many people who have made a faithful adaptation of Turgenev’s “A Nest of Gentlefolk” and a buddy ...

  6. Feb 9, 2021 · Andrei Konchalovsky’s “Dear Comrades!” dramatizes the deadly events of June 2, 1962, when Soviet government forces fired into a crowd of unarmed protesters in the southern Russian city of ...

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  8. Mar 9, 2021 · At 83, Andrei Konchalovsky, hailed as one of Russia’s most prominent cineastes, shows no sign of slowing down. With a gargantuan budget of 13 million, and running just short of two-and-a-half hours in length, ‘SIN’ is a tedious exercise in philosophizing on the ways in which genius often borders on the fringes of madness.