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John Gilling (29 May 1912 – 22 November 1984) was an English film director and screenwriter, born in London. He was known for his horror movies, especially those he made for Hammer Films, for whom he directed The Shadow of the Cat (1961), The Plague of the Zombies (1966), The Reptile (1966) and The Mummy's Shroud (1967), Cross of the Devil ...
John Gilling was born on May 29, 1912 in London, England, UK. He was a director and writer, known for The Pirates of Blood River (1962), The Gamma People (1956) and Department S (1969). He died on November 22, 1984 in Madrid, Spain.
- May 29, 1912
- November 22, 1984
John Gilling (29 May 1912 – 22 November 1984) was an English film director and screenwriter, born in London. He was chiefly known for his horror films, especially for Hammer Films, for whom he directed Shadow of the Cat (1961), The Plague of the Zombies (1966), The Reptile (1966) (the latter two filmed back to back in Cornwall) and The Mummy ...
It Takes a Thief: Directed by John Gilling. With Jayne Mansfield, Anthony Quayle, Carl Möhner, Peter Reynolds. A gang leader dumps her criminal boyfriend when he is convicted of robbery, but he recovers the stolen loot once he's released.
- (381)
- Crime, Drama, Thriller
- John Gilling
- 1961-02
The Plague of the Zombies: Directed by John Gilling. With André Morell, Diane Clare, Brook Williams, Jacqueline Pearce. During a mysterious epidemic in a small Cornish village, the local doctor summons his professor friend for help.
- (5.7K)
- Horror
- John Gilling
- 1966-01-12
Oct 16, 2013 · Despite this, Gilling somehow managed to be the main creative force behind three of Hammer’s best films from the 1960s – The Gorgon from 1964 and the so-called “Cornish duo” of The Plague of the Zombies and The Reptile (both from 1966).
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Jun 21, 2016 · John Gilling is not a forgotten filmmaker: after all, he fell in with the heads at Hammer Films, and that ensures a certain recognition amongst aficionados of British horror at least. But he's a figure worthy of greater consideration – and since this is a spotlight dedicated to exploring the dustier recesses of British film, so in Gilling’s ...
