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He studied in Berlin under Xaver Scharwenka. [2] Axt made his American debut as a conductor on December 28, 1910. [2] He served as an assistant conductor for the Hammerstein Grand Opera Company and was a musical director for the Capitol Theatre in Manhattan before joining the music department at Metro-Goldwyn-Mayer in 1929. [citation needed]
William Axt (1888-1959) was a composer and conductor who worked in New York and Hollywood. He wrote music for films such as The Thin Man, Gone with the Wind, and Ben-Hur, and was a member of ASCAP.
- William Axt
- February 13, 1959
- April 19, 1888
William Axt. Composer: The Thin Man. Composer and conductor, educated at DeWitt Clinton High School, and in private music study in Berlin. He was the assistant conductor at the Hammerstein Grand Opera Company in New York, and conducted for Emma Trentini between 1914-1918.
- April 19, 1888
- February 13, 1959
William Axt was an American composer and conductor who wrote music scores for hundreds of films, including Grand Hotel and Ben-Hur. The collection contains his music arrangements, scores, compositions, articles, photographs, and video recordings.
From Wikipedia, the free encyclopedia William Axt (April 19, 1888 – February 13, 1959) was an American composer of nearly two hundred film scores. Born in New York City, Axt graduated from DeWitt Clinton High School in The Bronx and studied at the National Conservatory of Music of America. He served as an assistant conductor for the Hammerstein Grand Opera Company and was the musical ...
William Axt. William Axt (April 19, 1888 – February 13, 1959) was an American composer of nearly two hundred film scores. Show Less... Continue reading at Wikipedia... Birth and Death Data: Born April 19, 1888 ( New York City ), Died February 13, 1959 ( Ukiah) Date Range of DAHR Recordings: 1919 - 1930. Roles Represented in DAHR: composer ...
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David Mendoza and William Axt’s score for Ben Hur involved still different challenges for reconstruction. The original music had to be reorchestrated and the arrangements of preexisting music they utilized had to be found, photocopied, cut, and pasted. I had to construct a detailed map of each section of the score, noting how many measures to ...
