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  1. en.wikipedia.org › wiki › Jan_de_BontJan de Bont - Wikipedia

    Jan de Bont (Dutch: [ˈjɑn də ˈbɔnt]; born 22 October 1943) is a Dutch cinematographer, film director, and film producer. He is best known for directing the films Speed (1994) and Twister (1996).

  2. Jul 15, 2024 · With his 1996 smash now available in 4K Ultra HD, the action director recalls his first tornado and explains why he wouldn’t want to make modern blockbusters.

  3. www.imdb.com › name › nm0000957Jan de Bont - IMDb

    Jan de Bont. Director: Speed. Jan de Bont was one of 17 children born into a Roman Catholic Dutch family in Eindhoven on 22 October 1943. Credited with being creative and having a good mentality for camera techniques, he became a popular cinematographer.

  4. 6 days ago · Twister director Jan de Bont explains how he mixed groundbreaking digital effects with practical ones for the 1996 classic — and where Michael Crichton came in.

  5. Jan de Bont. Director: Speed. Jan de Bont was one of 17 children born into a Roman Catholic Dutch family in Eindhoven on 22 October 1943. Credited with being creative and having a good mentality for camera techniques, he became a popular cinematographer.

  6. 6 days ago · Jan de Bont came up as a cinematographer, working on dawn-of-the-’90s action pictures like Die Hard (ahead of its time in 1988) and The Hunt for Red October, plus Black Rain for Ridley Scott and ...

  7. Jul 9, 2024 · 'Twister' director Jan de Bont talks about discovering 'Twisters' only after the trailer came out, and reflects on the 'Godzilla' movie he never made.

  8. 5 days ago · Mic Rodgers recalled “Twister” director Jan de Bont having an alleged meltdown on set one day that resulted in the crew temporarily abandoning the production. Per The Independent: “De Bont ...

  9. Jan de Bont (Dutch: [ˈjɑn də ˈbɔnt]; born October 22, 1943) is a Dutch retired cinematographer, director and film producer. He is best known for directing the films Speed (1994) and Twister (1996).

  10. Aug 12, 2023 · Jan de Bont reveals the innovative camerawork he came up with to turn 1983's 'Cujo' into a Stephen King classic.

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