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  1. Beyond the Clouds (Italian: Al di là delle nuvole; French: Par-delà les nuages) is a 1995 Italian-French-German romance film directed by Michelangelo Antonioni, with contributions by Wim Wenders, and starring John Malkovich, Sophie Marceau, Vincent Perez, Irène Jacob, Fanny Ardant, Jeanne Moreau, Peter Weller, Marcello Mastrioanni, and Jean ...

  2. Oct 27, 1995 · Beyond the Clouds: Directed by Michelangelo Antonioni, Wim Wenders. With Fanny Ardant, Chiara Caselli, Irène Jacob, John Malkovich. Four stories about short or long relationships between men and women in Italy and France.

    • (6.2K)
    • Drama, Romance
    • Michelangelo Antonioni, Wim Wenders
    • 1995-10-27
  3. Beyond the Clouds. Released Sep 3, 1995 1h 53m Drama. List. 68% Tomatometer 22 Reviews. 67% Audience Score 2,500+ Ratings. The observations of a filmmaker (John Malkovich) separate four...

    • (22)
    • John Malkovich
    • Michelangelo Antonioni, Wim Wenders
    • Eurimages
  4. Beyond the Clouds (1995) - Turner Classic Movies. 1h 44m 1995. Overview. Synopsis. Credits. Film Details. Notes. Brief Synopsis. Read More. A mosaic of four stories about love and desire tied together by the story of a filmmaker who observes the relationships of young couples.

    • Michelangelo Antonioni
    • Ines Sastre
  5. A miracle in many ways, Antonioni’s Beyond the Clouds is an enjoyably pretentious and thoroughly incorrect throwback to the glory days of postwar European art cinema, when a female beauty might suddenly lean against the pillar of some classic piece of Mediterranean architecture for no better reason than that her director— and presumably her ...

    • (2.2K)
    • Sunshine
    • Wim Wenders, Michelangelo Antonioni
  6. Beyond the Clouds (Italian: Al di là delle nuvole; French: Par-delà les nuages) is a 1995 Italian-French-German romance film directed by Michelangelo Antonioni and Wim Wenders and starring John Malkovich, Sophie Marceau, Vincent Perez, Irène Jacob, and Jean Reno.

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  8. A collection of several thinly-realized stories that never add up to much beyond a yawn, patched together by elusive memories and the pall of awkward sex. Like IDENTIFICATION OF A WOMAN (1982), and 8½ (1963) before that, the story follows an artist searching for inspiration for his next movie.

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