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Amira & Sam. Amira & Sam is a 2014 American romantic comedy film written and directed by Sean Mullin and produced by Terry Leonard, Erich Lochner, and Matt Miller with executive producers James Ponsoldt, Meg Montagnino-Jarrett, and Peter Sobiloff. Set in New York City, the film is about Sam, an American soldier, and Amira, an illegal immigrant ...
Jan 30, 2015 · Amira & Sam: Directed by Sean Mullin. With Martin Starr, Dina Shihabi, Paul Wesley, Laith Nakli. An army veteran's unlikely romance with an Iraqi immigrant is put to the test when she is faced with the prospect of deportation.
- (2.7K)
- Comedy, Drama, Romance
- Sean Mullin
- 2015-01-30
As their romance takes off, she faces deportation. Subtitles: English. Starring:Martin StarrDina ShihabiPaul Wesley. Directed by:Sean Mullin. Amira & Sam. A veteran trying his hand at stand-up comedy falls for a charming Iraqi immigrant. As their romance takes off, she faces deportation.
- Sean Mullin
- January 1, 2015
- 87 min
I thought the chemistry between Sam and Amira was real and alive. Rated 4.5/5 Stars • Rated 4.5 out of 5 stars 01/16/23 Full Review Audience Member The movie was alright.
- (30)
- Martin Starr
- Sean Mullin
- Comedy, Drama, Romance
Sam's cousin, Charlie, asks Sam to help him with illegal hedge funds unbeknownst to Sam at the time. Amira is staying with her uncle Bassam since her father died. She sells bootlegged films on the street corner but is forced to stay with Sam after getting busted; immigration officials begin pursuing her.
- Sean Mullin
- 31
Synopsis. Sam, a soldier who had served in Afghanistan and Iraq, meets Amira when he visits her uncle, Bassam, who had served as Sam's Iraqi translator. Bassam and Sam have a special bond due to their time together in the war. Initially Amira does not trust him because he was an American soldier and her brother was killed by a bomb from ...
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Jan 30, 2015 · All of the things Mullin avoids in the romance between Sam and Amira are present in these scenes—the heavy-handed political statements (Jack decries the "cesspool of self-interest" that is the American economic system), the transparent use of characters to represent concepts instead of existing as actual people (Charlie says he's merely a "prisoner" of free-market capitalism), and an overall ...
