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  1. Hill Number One: A Story of Faith and Inspiration: Directed by Arthur Pierson. With Patrick Peyton, Gordon Oliver, Todd Karns, Roddy McDowall. A respectful interpretation of what might have happened among Jesus's followers in the three days after the Crucifixion.

    • (110)
    • Drama
    • Arthur Pierson
    • 1951-03-25
  2. The movies on this list are ranked according to their success (awards & nominations), their popularity, and their cinematic greatness from a directing/writing perspective. To me, accuracy when making a Top 10/Top 100 all time list is extremely important. My lists are not based on my own personal favorites; they are based on the true greatness and/or success of the person, place or thing being ...

  3. Rent Hill Number One on Prime Video, or buy it on Prime Video. Page 1 of 2, 2 total items. Page 1 of 3, 3 total items. Page 1 of 4, 7 total items. An Army chaplain regales disheartened troops with ...

    • (22)
    • Arthur Pierson
    • Drama
    • Ruth Hussey
  4. 4. The Usual Suspects. The sole survivor of a pier shoot-out tells the story of how a notorious criminal influenced the events that began with five criminals meeting in a seemingly random police lineup. "The greatest trick the devil ever pulled was convincing the world he did not exist."

  5. Hill Number One 1951. A dramatization of the story of Easter, featuring Dean in one of his first major roles as John the Baptist. 57m/B VHS, DVD . James Dean, Michael Ansara, Leif Erickson, Ruth Hussey, Roddy McDowall; D: Arthur Presson. TV. VideoHound's Golden Movie Retriever.

  6. Aug 14, 2017 · Hill had tackled something similar in “Johnny Handsome” almost 30 years prior. But here the movie is much sloppier and less competent than that one was. The movie is stuck in this weird purgatory. It’s got the run time and the feel of a DTV action movie, and it has some of those elements, but not enough to be a full blown entry.

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  8. Made - of course - by one of America's powerful religious groups, this play does rather wear its agenda on its sleeve, but that doesn't matter, as what it does, it does well. Interesting to compare this to the Studio One production of the play 'Pontius Pilate' from around the same time, which is not quite so pious.

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