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Feb 9, 2020 · Medium Shot Example: Mr. and Mrs. Smith. Doug Liman added some sexual tension to Mr. and Mrs. Smith by framing how enamored each of them are with one another in medium shot. Two stars who both tend to fill the frame and catch our eye, were placed side by side in the film but also in many medium shots. The tension was made visual.
Aug 23, 2021 · The medium shot is a versatile shot found on shot lists for many types of films and television shows. Articles. Videos. Instructors. Explore. Articles; Sitemap; Gifts ...
The medium shot, sometimes also called a mid-shot or waist shot, is a film shot that stretches from around the waist (or sometimes the knees) of a subject up to their head. (Sometimes, people also use it to refer to full-length views.) The exact dividing line between a long shot and a medium shot isn’t precisely defined, any more than the ...
Definition. The medium shot shows equality between subjects and background. The dividing line between what constitutes a long shot and medium shot is not definite, nor is the line between medium shot and close-up. [7] In some standard texts and professional references, a full-length view of a human subject is called a medium shot; [6] in this ...
- “The Gold Rush”
- “The Good, The Bad, and The Ugly”
- “Heat”
- “Fargo”
- “Lost in Translation”
- Macy’s, “Ditch The Drama”
- “Killing Eve,” Season 2, Episode 6: “Billie”
To properly show Charlie Chaplin’s infamous “potato dance,” the director-star and DP Roland Totheroh framed the physical gag in a medium shot, showing in its hilarious clarity the clash of contexts between this trampish behavior and the high status of his surroundings.
In this infamous final duel, director Sergio Leone and DP Tonino Delli Colli heap medium shots throughout, especially (obviously) the cowboy shot. These are both functional and evocative—and make the stylish extreme close-ups pop even harder.
In the iconic diner conversation between Al Pacino and Robet De Niro, director Michael Mann and DP Dante Spinotti cover this simmering back-and-forth with a litany of medium shots, especially favoring over-the-shoulders and medium close-ups to communicate their relationship’s shifting interplay.
“The Coen brothers have great medium close-up shots,” says Reed, and in this clip from “Fargo” (with DP Roger Deakins), we see an entire conversation covered in medium close-ups (with a two-versus-one over-the-shoulder for good measure), allowing us to focus on how the characters feel while never losing the suspense of their public setting.
This scene, and much of the film, is covered primarily in a two-shot, sometimes shifting to over-the-shoulder medium close-ups. Director Sofia Coppola and DP Lance Acord use these kinds of shots to convey the beginnings of a connection between the two lead characters, though an awkward amount of space remains between them.
In this branded spot directed by Reed with DP Eric Bader, Reed began by framing tough-looking men in close-ups, “then we pulled out to a medium to reveal more context showing that the guys were actually just being overly festive for the winter holidays,” he says. In the close-up, “the focus was the intensity of the actor’s performance, and you got ...
Shihadah believes the TV show “Killing Eve” reveals “how powerful and versatile medium shots can be and how many elements you can manipulate to move your audience.” In this scene, medium shots of various focal length, over-the-shoulders, and two-shots are used, conveying the ever-shifting, volatile status of the characters’ relationship.
- Gregory Lawrence
Jun 10, 2024 · A medium shot (“MS” on the shot list) is captured at a medium distance from the subject. It is often used for dialogue-heavy scenes, but also depicts body language and can reveal more of the setting. Oftentimes it will frame multiple subjects as well as a portion of the background.
Pulp Fiction: The Bonnie Situation. In Quentin Tarantino’s Pulp Fiction, the “Bonnie Situation” scene stands as a prime example of how medium shots are used to convey emotions, heighten tension, and enhance storytelling. In the scene, the characters—Jimmie, Vincent, and Jules—are dealing with the consequences of a dead body in the garage.
