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  1. Sep 11, 2014 · From Shaft to Superfly, Amar Ediriwira unearths the best blaxploitation soundtracks ever recorded. Dovetailing the civil rights movement, 1970s blaxploitation film was the birth of a new code of black representation.

    • 7 min
  2. Apr 26, 2019 · A history of Blaxploitation film soundtracks that helped define the genre, and the musicians who asserted their street cred by writing their scores.

    • 2 min
    • Issac Hayes, “Theme from Shaft” Film: Shaft (1971) Edd said: Clearly, this was the only choice for the top spot. I’m stating the obvious here, but this song IS blaxploitation in its purest form – a potent blend of soul and attitude; effortlessly cool with an edge of danger.
    • Curtis Mayfield, “Superfly” Film: Super Fly (1972) Edd said: The crown jewel of the Super Fly soundtrack is, unsurprisingly, its title track. The opening guitar licks are instantly recognizable, and once those horns kick in, the journey begins.
    • Willie Hutch, “Theme of Foxy Brown” Film: Foxy Brown (1974) Edd said: Willie has dominated this countdown, and for good reason. His sound has become synonymous with the blaxploitation movement.
    • Rose Royce, “I Wanna Get Next to You” Film: Car Wash (1976) Edd said: Your mama n’ dem’s favorite love song! Rose Royce’s romantic staple has become a hallmark of R&B, and that legacy started all the way back on the Car Wash soundtrack.
  3. Sep 11, 2014 · Exploring the history of cult blaxploitation soundtracks with albums from Isaac Hayes, Marvin Gaye, Sun Ra, Roy Ayers, James Brown and more.

    • 11 min
  4. BLAXPLOITATION SOUNDTRACK MUSIC! Whether you consider blaxploitation movies empowering or regressive, it’s impossible to ignore the music. The soul and funk...

    • 61 min
    • 975
    • A.C.P. MEDIA
  5. Blaxploitation films appeared in the early '70s, in the wake of Melvin Van Peebles' groundbreaking independent film Sweet Sweetback's Baadasssss Song. Van Peebles' angry masterpiece was a serious, even dangerous work that established that raw, independent African-American films would find audiences. It also happened to have a funk soundtrack ...

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