Search results
Ernesto Gastaldi (born 10 September 1934) is an Italian screenwriter. Film historian and critic Tim Lucas described Gastaldi as the first Italian screenwriter to specialize in horror and thriller films. Gastaldi worked within several popular genres including pepla, Western and spy films.
Ernesto Gastaldi. Writer: My Name Is Nobody. Graduated in direction and screenwriting at Centro Sperimentale di Cinematografia of Roma in 1957 and in Economy in 1967. He wrote more than one hundred movies of all kind and a dozen of novels. He signed some scripts and his SF novels as Julian Berry.
- January 1, 1
- 1 min
- Graglia, Piedmont, Italy
Screenwriter Ernesto Gastaldi confirmed Valerii's comments stating that "Tonino shot the whole film, absolutely ON HIS OWN", and that Leone "organized a second unit crew and shot a couple of sequences, which in my opinion are the weakest in the film: the urinal, stretched in an abnormal way, and the glass contest in the saloon. Nothing else."
The definition provided by prolific genre screenwriter Ernesto Gastaldi – ‘a difficult-to-explain event and its rigorously logical explanation based on the evidence and details provided in the story’ – is as opaque as many of his plots.
Aug 29, 2019 · Interview with Ernesto Gastldi. By José Luis Salvador Estébenez. When it comes to pointing out the architects of the golden age of European popular cinema, it is usually customary to embody it in the work of directors and / or actors.
The Horrible Dr. Hichcock ( Italian title: L'orribile segreto del Dr. Hichcock, lit. "The horrible secret of Dr. Hichcock") is a 1962 Italian horror film, directed by Riccardo Freda and written by Ernesto Gastaldi. The film stars Barbara Steele and Robert Flemyng .
People also ask
Who is Ernesto Gastaldi?
What genres did Ernesto Gastaldi work in?
How many movies did Ernesto Gastaldi write?
What regrets does Gastaldi have?
Long interview with screenwriter Ernesto Gastaldi, who wrote more than a hundred movies during the golden age of Italian genre cinema. Among them Mario Bava’s THE WHIP AND THE BODY, Umberto Lenzi’s ALMOST HUMAN and the Sergio Leone produced MY NAME IS NOBODY.
