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  1. Jul 14, 2023 · And that is what we get in the watchable French filmTwo Tickets to Greece,” the story of two middle-aged women who have not seen each other since their early teens and find themselves traveling together to the Greek Isles. As a character points out to Blandine ( Olivia Côte ), even her name sounds boring. Blandine’s husband left her ...

  2. Jul 14, 2023 · Crew: Director, writer: Marc Fitoussi. Camera: Antoine Roch. Editor: Catherine Schwartz. Music: Mocky. With: Laure Calamy, Olivia Côte, Kristin Scott Thomas, Alexandre Desrousseaux, Nicolas ...

  3. Jul 14, 2023 · Rated: 3.5/5 May 21, 2024 Full Review Victoria Luxford City AM Two Tickets To Greece could have had a touch more grit, but the trade off is a holiday where you leave feeling you know the ...

    • (26)
    • Laure Calamy
    • Marc Fitoussi
    • Comedy
    • two tickets to greece film review1
    • two tickets to greece film review2
    • two tickets to greece film review3
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    • two tickets to greece film review5
  4. Jul 13, 2023 · Two Tickets to Greece. Directed by Marc Fitoussi. Comedy. 1h 50m. Find Tickets. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. In ...

  5. Full Review | Jul 14, 2023. Two Tickets to Greece reminds that getting your groove back is never easy. Life invariably hurts, rejects, and disappoints in the most cruel ways. Sometimes we need ...

  6. Jul 7, 2023 · Two Tickets to Greece can never quite decide to what extent it wants to be either a light-hearted raunchy comedy or a darker comedic assessment of contemporary life. In particular, Fitoussi makes a point of setting the film in 2019, presumably to avoid having to acknowledge the impending Covid-19 pandemic. The timeline, though, raises questions ...

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  8. May 13, 2024 · Olivia Côte as Blandine, Kristin Scott Thomas as Bijou and Laure Calamy as Magalie in Two Tickets to Greece (Greenwich Entertainment) Two Tickets to Greece is a true two-hander, built around the dynamic of the odd couple pair. As such, it lives and dies on the strength of its characterizations and performances.

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