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Personal life. She had a long intimate relationship with Balanchine after his divorce from Tamara Geva, from 1926 to 1933, but they never married.
Technically versatile with enormous charm, elegance and wit. She danced all the major ballerina roles and created principal roles in Balanchine works like The Triumph of Neptune (1926), Le Bal (1928), Dances concertantes (1944) and La sonnambula (1946). Choreographed Coppelia for NYCB in 1974.
Mar 25, 2020 · Alexandra Danilova, prima ballerina of the Ballets Russes, rehearses a variation from Le Pavillon d’Armide for the annual (graduation) SAB workshop performance. I recognize Mme. Danilova’s own Russian Imperial style in the student’s port de bras and epaulement.
The Russian ballet of the Twenties and Thirties produced some legendary dancers and one of the most remarkable was Alexandra Danilova. A performer of charisma and exuberant charm, gifted with...
Based on the book by Charles Nuitter, after E.T.A. Hoffmann’s Der Sandmann , Coppélia is considered one of the triumphant comic ballets of the 19th century and marked the passing of ballet supremacy from France to Russia.
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Jul 13, 1997 · Danilova created a great range of roles -- from Leonid Massine’s Le Beau Danube (1933), Jardin Public (1935), and Capriccio Espangnol (1939), to Balenchine’s Danses Concertantes (1944) and Night Shadow (1946). The Massine roles in particular demonstrated her considerable charm and elegance.
