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  1. Pictures on a Page: Photo-journalism, Graphics and Picture Editing. Editing and design series : book 4. Book 4 of Editing and design, Harold Evans. Author. Harold Evans....

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  3. Buy Pictures on a Page: Photo-Journalism, Graphics and Picture Editing by Harold Evans and Edwin Taylor (ISBN: 9780434905539) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.

    • (25)
    • Harold Evans and Edwin Taylor
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    • "That Invitation to A Bayonetting"
    • Difficulties
    • The Decisive Moment Redefined
    • Luck & The Complementary Nature of Words & Photographs
    • Essay Or Story?
    • Presenting A Photograph
    • The Third Effect
    • People
    • Ethics & Photojournalism
    • "The Acrid Taste of Danger"

    Evans flicks through the pages and stops at a picture of the bayonetting of suspected collaborators on a polo field in Bangladesh, a notorious incident in the history of photojournalism which he describes in Pictures on a Pageas “that invitation to a bayonetting”. Photographers Horst Faas and Michael Laurent of Associated Press (AP) shared the cred...

    It is in the photographer’s attitude to composition that differentiates them from the mere button pusher, says Evans. “In writing the injunction is to have something to say and to say it well, and in photography similarly the idea needs to be served by technique.” He warns photographers against “the proliferation of cliché,” bemoans the “disturbing...

    In chapters six and seven of Pictures on a Page, Evans examines the decisive moment, a new idea about picture taking which the French master Henri Cartier Bresson discussed in his first book, the New York edition of which was also titled The Decisive Moment. Writing in 1952, the Frenchman described, “The organic co-ordination of elements seen by th...

    “One of the cardinal creative forces is luck,” writes Harold Evans in chapter seven, The Minutiae of Time and Space. “The photographer has unique equipment for collaborating with it.” What was then "The most reproduced photograph of all time", was luck. Joe Rosenthalof the Associated Press was covering the US advance in the Pacific towards the end ...

    Further to his call for clear terminology in Pictures on a Page, Harold Evans complains that ‘essay’ and ‘story’ are used interchangeably by newspapers and magazines. A picture story is essentially narrative, the record of a single event. Whereas the essay, unconfined by either time or event, “Will argue and analyse rather than narrate; it will mak...

    Michael Rand was art director at the Sunday Times Magazine for thirty years. In Pictures on a Pagehe tells Evans that his role was to stand in for the reader. He wanted nothing explained to him by the photographer, the pictures had to speak for themselves. Evans adds that an art director has to consider how a story fits into a whole issue. “Contras...

    Wilson Hickes, picture editor on LIFEmagazine from 1937, came up with the term The Third Effect which is what happens in the viewer’s mind when two pictures are placed together. Its use was pioneered by Stefan Lorant, in his magazine Lilliput and in Picture Postin the late 1930s and 1940. Lorant, “One of the fathers of photojournalism” says Evans, ...

    “A painter,” Evans states, “can produce a synthesis of his subject but a photographer in their search for character has to capture a sense of completeness in a fraction of a second.” On a shoot for Voguein 1951, Ernst Haas encouraged the great physicist Albert Einstein to stop posing and to think by asking if he had a particular book on his shelves...

    The four areas of sensitivity that Harold Evans points to in his book are violence; intrusions into privacy; sex and public decency and faking. He predicts accurately that, “Privacy will increasingly bother photographers and editors”. The Press Council will not tolerate faking, he writes. The council has censured the photography of relatives in dis...

    In 2001 Harold Evans was voted the all-time greatest British newspaper editor by British journalists. His Outstanding Contribution to Publishing Award, which he received in May this year, was just the latest in a succession of major awards that stretched back to 1967, when at the age of thirty-nine, Evans won the Campaigning Journalist of the Year ...

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