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      • RADIOACTIVE DREAMS is a sprawling comic-book-style movie that really falls flat. While some scenes are memorable and directed with flair by Albert Pyun, the film is haphazardly paced, sketchily developed and confusing, and looks like a hybrid of BLADE RUNNER and THE ROAD WARRIOR. The black humor is rarely biting, insightful, or funny.
      www.tvguide.com/movies/radioactive-dreams/review/2000048039/
  1. Reviews 45% Audience Score 100+ Ratings Phillip (John Stockwell) and Marlowe (Michael Dudikoff) emerge from a bomb shelter in 2010 after 15 formative years of reading Raymond Chandler. Read...

    • (19)
    • Albert Pyun
    • R
    • John Stockwell, Michael Dudikoff, Lisa Blount
  2. Mar 11, 2024 · However, the inspirations for the post-apocalyptic Wasteland that’s always served as the backdrop to the mythology are rooted in the world of cinema, specifically writer and director Albert Pyun’s Radioactive Dreams.

  3. Radioactive Dreams Reviews. No All Critics reviews for Radioactive Dreams. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The...

  4. RADIOACTIVE DREAMS is a goofy 80s comedy, a post-apocalyptic adventure, a 40s detective pastiche and a musical all wrapped into one high concept package. Albert Pyun sure didn't make it easy on himself.

  5. Radioactive Dreams is a 1985 post-apocalyptic science fiction-comedy film written and directed by Albert Pyun and starring George Kennedy, Michael Dudikoff, Don Murray, and Lisa Blount. The names of the two main characters are homages to noir detective fiction icons Philip Marlowe, Raymond Chandler and Mike Hammer. The film has achieved cult ...

  6. Fifty years of american pop culture melted together into one debauched mush. Guns and punks, cannibals and buddhists, greasers and tough dicks, spunky redheads and fascist blondes and, somehow, George Kennedy. This is the 80s. It’s a dream. . . NIGHTMARE! Don’t take any wooden nickels.

  7. Sep 10, 2023 · It's a Mad Max-esque post-apocalyptic movie that tries to angle itself as a neo-noir. John Stockwell and Michael Dudikoff talk in the phoniest mid-Atlantic accents, and act like they're from the 50's, but they're actually from the 80's.

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