1997
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Deborah Kara Unger (born 12 May 1966) is a Canadian actress. She is known for her roles in the films Highlander III: The Sorcerer (1994), Crash (1996), The Game (1997), Payback (1999), The Hurricane (1999), White Noise (2005), Silent Hill (2006), 88 Minutes (2008) and The Way (2010).
Crash: Directed by David Cronenberg. With James Spader, Holly Hunter, Elias Koteas, Deborah Kara Unger. After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
- (66.7K)
- David Cronenberg
- NC-17
- James Spader, Holly Hunter, Elias Koteas
Starring James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter and Rosanna Arquette, it follows a film producer who, after surviving a car crash, becomes involved with a group of symphorophiliacs who are aroused by car crashes and tries to rekindle his sexual relationship with his wife.
- Martin Barker, Jane Arthurs, Ramaswami Harindranath
- 2001
Deborah Kara Unger. Actress: The Game. Deborah Kara Unger was the first Canadian accepted into the prestigious Australian National Institute of Dramatic Art. She made her feature film debut in Blood Oath (1990), followed by roles in Christopher Crowe's Whispers in the Dark (1992), Till There Was You (1991), and Highlander: The Final Dimension ...
- January 1, 1
- 1.70 m
- Vancouver, British Columbia, Canada
Oct 8, 2021 · The film follows husband and wife James and Catherine (James Spader and Deborah Kara Unger) as they become inducted into the deviant group (Credit: Alamy)
A traffic collision involving a disaffected commercial producer, James (James Spader), and an enigmatic doctor, Helen (Holly Hunter), brings them, along with James’s wife, Catherine (Deborah Kara Unger, in a sublimely detached performance), together in a crucible of blood and broken glass—and it’s not long before they are all initiated ...
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Dec 1, 2020 · But it is Deborah Kara Unger who delivers the film’s signature performance: she plays James’s wife, Catherine, as a series of precisely posed ice sculptures. However ostensibly erotic Catherine’s behavior, her endothermic characterization robs it of all heat and friction.
