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Warner Bros. released the film on October 27, 1955, nearly a month after Dean's death in a car accident on September 30, 1955. Over the years, the film has achieved landmark status for the performance of Dean, fresh from his Oscar-nominated role in East of Eden, in his most celebrated role.
Rebel Without a Cause: Directed by Nicholas Ray. With James Dean, Natalie Wood, Sal Mineo, Jim Backus. A rebellious young man with a troubled past comes to a new town, finding friends and enemies.
In one of the most influential performances in movie history, James Dean plays Jim, the new kid in town whose loneliness, frustration and anger mirrored those of postwar teens -- and still ...
Rebel Without a Cause, American film drama, released in 1955, that is a classic tale of teenage rebellion and angst. The movie featured James Dean in one of his final roles; he died one month before the release.
Jun 19, 2005 · James Dean's rebel teen Jim Stark represented the restless youth of the 1950s in "Rebel Without a Cause." "You're tearing me apart! You say one thing, he says another, and everybody changes back again." James Dean shouts these words in an anguished howl that seems to owe more to acting class than to his character, the rebellious and causeless ...
Oct 27, 2015 · W hen Rebel Without a Cause was released 60 years ago, it was almost exactly a month after James Dean’s dramatic and tragic death shook Hollywood—and solidified the late actor’s celebrity.
Rebel Without a Cause is a searing melodrama featuring keen insight into '50s juvenile attitude and James Dean's cool, iconic performance.
James Dean stars in a movie that shocked the United States with a performance that still electrifies the screen twenty-five years after his untimely...
Shortly after moving to Los Angeles with his parents, 17-year-old Jim Stark (James Dean) enrolls at Dawson High School. In the opening scene, Jim is brought into the police station for public drunkenness.
Rebel without a Cause (1955) James Dean plays a troubled young man with much to prove in this iconic film. Ray’s eloquent use of architectural space in his epochal account of middle-class teenage angst reminds us that he’d studied under Frank Lloyd Wright.
