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Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States.
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Apr 9, 2024 · Bebop, as the revolutionary new style and sound eventually came to be known (the origin of the word “bebop” partly stems from a nonsensical word used in improvised scat singing) grew as both an...
- Charles Waring
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- Charlie Parker. Known for his technical proficiency on the saxophone and his innovative approach to improvisation, Charlie Parker was a pioneer of bebop.
- Dizzy Gillespie. Known for his angled trumpet bell and puffy cheeks, a brilliant jazz trumpeter and composer who helped popularize the genre, Dizzy Gillespie was another critical figure in bebop.
- Miles Davis. A master of bebop and cool jazz that helped to bring both styles to the mainstream, Miles Davis is one of the most legendary figures in jazz history.
- Thelonious Monk. Jazz pianist and composer Thelonious Monk was another important musician who helped shape bebop’s sound. Monk was a highly influential musician, and his compositions are still famous and studied today with a number of his pieces becoming standards like “Blue Monk,” “‘Round Midnight” and “Well, You Needn’t.”
Aug 28, 2024 · bebop, the first kind of modern jazz, which split jazz into two opposing camps in the last half of the 1940s. The word is an onomatopoeic rendering of a staccato two-tone phrase distinctive in this type of music. When it emerged, bebop was unacceptable not only to the general public but also to many musicians.
- The Editors of Encyclopaedia Britannica
That’s why in this lesson we’re going to focus specifically on the compositions written by the masters of this music, the repertoire of bebop tunes you’ll often encounter as a jazz musician. Below we’ll walk you through 30 essential Bebop tunes to learn, divided by beginner, intermediate, and advanced level.
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This 1964 date is the last magnificent gasp of hard bop in its purer form. The style just could not be pushed any further than Blakey, Shorter, Hubbard and Fuller slam-dunk it here. There is a boiling fury in this music which equals anything in the avant-garde of the time.
