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Spanish Basque sculptor
- Eduardo Chillida Juantegui, or Eduardo Txillida Juantegi in Basque (10 January 1924 – 19 August 2002), was a Spanish Basque sculptor notable for his monumental abstract works.
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Eduardo Chillida Juantegui, or Eduardo Txillida Juantegi in Basque (10 January 1924 – 19 August 2002), was a Spanish Basque sculptor notable for his monumental abstract works . Early life and career. Born in San Sebastián (Donostia) to Pedro Chillida and the soprano Carmen Juantegui on 10 January 1924.
Eduardo Chillida was a Spanish sculptor who achieved international recognition with works displayed at the 1958 Venice Biennale. His sculpture is characterized by his craftsman’s respect for materials, both in his small iron pieces and in his later, monumental works in granite.
- The Editors of Encyclopaedia Britannica
Aug 19, 2002 · Biography. Eduardo Chillida, the Artist. A universal and Basque artist. “I’m one of those people who believe—and this is very important to me—that humans are from a particular place.
Jul 3, 2024 · About the Artist: Spanish artist Eduardo Chillida (1924–2002) initially studied architecture at the University of Madrid in the mid-1940s but ultimately left the practice in favor of pursuing art formally—though the influence of architecture can be seen in much of his work.
Eduardo Chillida was a Spanish artist known for his colossal public installations. Working primarily in iron, wood, and steel, Chillida’s interlocking sculptures reflected his interest in space and materiality.
- Spanish
2024 marks the centenary of the birth of Eduardo Chillida, one of the most influential artists of the 20th century. His life was dedicated to capturing and embracing space – a recurring theme in his discourse on art and existence itself.
Jun 26, 2021 · In the 1950s, Chillida created plaster and bronze works inspired by the ancient Greek sculptures he’d come across in the Louvre during a brief stint in Paris. But it was back in his hometown of San Sebastián in the 1960s that he truly came of age as a sculptor.
