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      Mary Lou Williams | Jazz Pianist, Composer, Educator
      • Mary Lou Williams (born May 8, 1910, Atlanta, Ga., U.S.—died May 28, 1981, Durham, N.C.) was a jazz pianist who performed with and composed for many of the great jazz artists of the 1940s and ’50s.
      www.britannica.com/biography/Mary-Lou-Williams
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  2. Mary Lou Williams (born Mary Elfrieda Scruggs; May 8, 1910 – May 28, 1981 [1]) was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records (in 78, 45, and LP versions). [2]

  3. One of the greatest jazz pianists, composers, and arrangers of all time, Mary Lou Williams was a swing and bebop icon. “The Lady Who Swings the Band” also devoted herself to aiding musicians in need and teaching younger generations about jazz’s rich African American heritage.

  4. Mary Lou Williams (born May 8, 1910, Atlanta, Ga., U.S.—died May 28, 1981, Durham, N.C.) was a jazz pianist who performed with and composed for many of the great jazz artists of the 1940s and ’50s. Williams received early instruction from her mother, a classically trained pianist.

    • The Editors of Encyclopaedia Britannica
  5. Mary Lou Williams was one of the major stride and swing performers who successfully made the transition to bop. For Benny Goodman in 1947, she composed two bop-influenced pieces: “Lonely Moments” and “Whistle Blues.”. For Dizzy Gillespie’s big band in 1949, she composed the bop fairy tale “In the Land of Oo Bla Dee.”.

  6. Sep 11, 2019 · Jazz helped Mary Lou Williams stay alive — but after several draining decades as a musician, she quit the scene. When she returned, she claimed her true power as one of jazz's fiercest advocates.

  7. Sep 10, 2019 · "The greatest woman jazz pianist in the world." "Highly acclaimed as a deluxe tickler of the ivories." "One of the foremost swing pianists of either sex." By 1936, then-25-year-old Mary Lou...

  8. Oct 12, 2020 · In l980, Mary Lou Williams began working on a suite called “History of Jazz for Wind Symphony.” Having mastered the styles of jazz from ragtime in her teens to “free” jazz in the seventies, the “History” was a summation of her life in the music. But not only jazz.

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