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      • The Shootist is an uneven, elegiac tribute to a great career. The script leaves a lot to be desired, but is compensated for by some fine performances (especially Wayne's), Bruce Surtees' poignant cinematography, and Don Siegel's carefully paced direction.
      www.metacritic.com/movie/the-shootist/
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  2. The Shootist. Action. 100 minutes ‧ PG ‧ 1976. Roger Ebert. January 1, 1976. 4 min read. He rides onscreen in The Shootist afraid that he is dying. Not afraid he’ll be killed, but afraid he’s dying, which is the last thing we anticipated a John Wayne character would do of his own accord. It is 1901: He has outlived his century.

  3. Jul 7, 2024 · Though John Wayne gave many amazing performances, The Shootist is one of his best. This is because The Shootist parallels John Wayne's life and career. While making the film, Wayne was an actor at the end of his career with a powerful reputation behind him, which mirrored the character's journey.

  4. The Shootist is a solid Western with some deeper themes to its center, making the connection between the lead character and the lead actor strong given that the film is the last John Wayne ever...

  5. Renting a room from widowed Bond Rogers (Lauren Bacall) and her son Gillom (Ron Howard), Books is confronted by several people of questionable motives, including a man seeking to avenge his...

    • (26)
    • Don Siegel
    • PG
    • John Wayne
  6. The Shootist is a great swan song to the film career of John Wayne and a great movie on its own merit. The parallels between Wayne's life at the time the film was made and the character(J.B.Brooks) he plays in the movie only add a poignant sadness.

  7. en.wikipedia.org › wiki › The_ShootistThe Shootist - Wikipedia

    The Shootist is a 1976 American Western film directed by Don Siegel and based on Glendon Swarthout 's 1975 novel of the same name, [2] and written by Miles Hood Swarthout (the son of the author) and Scott Hale.

  8. The Shootist is an uneven, elegiac tribute to a great career. The script leaves a lot to be desired, but is compensated for by some fine performances (especially Wayne's), Bruce Surtees' poignant cinematography, and Don Siegel's carefully paced direction.

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