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  2. Jul 13, 2024 · Rich in vernacular wit and portraying a romanticized escape from the decorum of the patrician East, The Virginian conveys a sense of redemptive possibility drawing on Wister's ranching, hunting, and fishing trips in Wyoming and Montana between 1885 and 1900.

  3. Jul 17, 2024 · Owen Wister was an American novelist whose novel The Virginian (1902) helped establish the cowboy as a folk hero in the United States and the western as a legitimate genre of literature. The Virginian is the prototypical western novel and, arguably, the work most responsible for the romanticized.

    • The Editors of Encyclopaedia Britannica
  4. Jul 2, 2024 · The Virginian by Owen Wister. Published : 1902 Format : Paperback Pages : 407 Genre : Western. “I already knew that beneath the quiet of this man was a volcano.”. Summary : Meet “The Virginian” , he is a reliable , strong , and morale cowboy working on the Wyoming ranch of Judge Henry .

  5. en.wikipedia.org › wiki › Zane_GreyZane Grey - Wikipedia

    4 days ago · Grey read Owen Wister's great Western novel The Virginian. After studying its style and structure in detail, he decided to write a full-length work. Grey had difficulties in writing his first novel, Betty Zane (1903). When it was rejected by Harper & Brothers, he lapsed into despair.

  6. Jul 14, 2024 · Owen Wister and Cowboy Culture. Novelist Owen Wister was born in Germantown, Pennsylvania, on July 14, 1860. His 1902 novel The Virginian helped create the myth of the American cowboy. Reared and educated on the east coast, Wister first visited the West in 1885.

  7. 2 days ago · In 1915, she published her first novel, The Voyage Out, through her half-brother's publishing house, Gerald Duckworth and Company. Her best-known works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928).

  8. Jun 27, 2024 · Virginia Woolf, English writer whose novels, through their nonlinear approaches to narrative, exerted a major influence on the genre. Best known for her novels Mrs. Dalloway and To the Lighthouse, she also wrote pioneering essays on artistic theory, literary history, women’s writing, and the politics of power.

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