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  1. Dec 24, 2003 · Posted December 25, 2003. The March/April 1994 issue of American Photo is devoted to Avedon. On page 82 you will find: "Film is just as basic. For 21/4, Plus-X (rated at E.I. 80) is Avedon's choice. ... Professional Tri-X (rated at E.I. 200) is the standard for Avedon's 8x10 work." Further down on the page:

  2. Jun 26, 2007 · Both Diane Arbus and Richard Avedon greatly influenced each other's photography through the time of her death. It is also more than a little arguable that Arbus was a better printer. Godfrey: "I cannot imagine making 17,000 8x10 inch exposures and processing them all."

  3. Nov 30, 2004 · Generically he used either indirect sunlight --as predominates i nthe "in. theAmerican west " series, or when using strobes, using very large soft boxes or. "jumbrellas" . Some ofthe more recent work -the "Democracy 2004" project uses all sorts. of lighting in different images. iHis inspiration for doing portraits in this manner -- flat ...

  4. Aug 2, 2016 · The History & Philosophy of Photography ; A long 1958 New Yorker profile of Richard Avedon A long 1958 New ...

  5. Sep 11, 2009 · <p>I am wondering if anyone knows how he fully illuminates his subjects while keeping any highlights out of their eyes. The following is my theory as to how many of his images were captured. Please let me know what you think as well as how you would improve or experiment.</p> <p&gt...

  6. Jul 30, 1999 · On page 81 of that issue an article. regarding Avedon's technique states, "For 8 x 10 work, which is done. with either a 360 mm f/6.8 Schneider Symmar-S or a 360 mm f/6.3. Fujinon-W lens, Avedon relies on an aging Sinar P1; on location, a. collapsible Deardorff wooden field camera fills in for the Sinar.

  7. Apr 20, 2004 · I was thinking earlier today about Richard Avedon. In a photography . class I recently completed we watched a tape about him. One segment . showed how he would set up his white back drop in the middle of . nowhere and photograph, well, ugly farmhands and backwoods kinds of . people. Then I thought of the oddballs Arbus photographed. I started

  8. May 27, 2005 · when richard avedon selected his subjects, did he already know in his mind exactly what he wanted to portray, and manipulate the subject until he got it? He talks in his writings and interviews about the way he expresses himself through his subjects... so did he choose the subjects based on what ...

  9. Jun 11, 2011 · The History & Philosophy of Photography ; Avedon and performance in a "philosophical" era Avedon and ...

  10. Jun 8, 2010 · Richard Avedon also seemed to do fine with a Rollei too ;)</p> </blockquote> <p>Yeah, the key there is "Richard Avedon", not "Rollei", or even TLRs. To paraphrase a famous quote: "I knew (not) Richard Avedon. I served (not) with Richard Avedon, Richard Avedon was (not) a friend of mine. Chuk, I am no Richard Avedon."