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  1. Michael Mailer (born 1964) is an American film producer and director and the oldest son of Beverly Bentley and writer Norman Mailer. He graduated from Harvard in 1987. [1] He has produced over 20 films.

  2. Michael Mailer has been directing, producing and writing extensively in the independent film world since graduating Harvard University. He established Michael Mailer Films in 2004 to focus on both independent, character-driven films and larger, concept-oriented pictures.

    • January 1, 1
    • Michael Mailer
    • Producer, Director, Writer
  3. Michael Mailer. Director: Heart of Champions. Michael Mailer has been directing, producing and writing extensively in the independent film world since graduating Harvard University. He established Michael Mailer Films in 2004 to focus on both independent, character-driven films and larger, concept-oriented pictures. Michael is best known for Heart of Champions (2021), Blind (2016), Black ...

  4. Oct 29, 2021 · Heart of Champions: Directed by Michael Mailer. With Michael Shannon, Alexander Ludwig, Charles Melton, Alex MacNicoll. During their last year at an Ivy League college in 1999, a group of friends and crew teammates' lives are changed forever when an army vet takes over as coach of their dysfunctional rowing team.

    • (2.4K)
    • Drama, Sport
    • Michael Mailer
    • 2021-10-29
  5. Michael Mailer is a Harvard grad and has nothing but great affection for his alma mater. (I think the place stinks.) If he hadn’t gone to Harvard, Michael would never have made the film.

  6. Oct 29, 2021 · Michael Shannon as Coach Jack Murphy. Alexander Ludwig as Alex. Charles Melton as Chris. Michael Tacconi as Ted. Lilly Krug as Sara. Ash Santos as Nisha. Andrew Creer as MJ. Vernon Wiggins as Race Spectator. Director Michael Mailer; Writer Vojin Gjaja; Cinematographer Edd Lukas; Editor Ankur Agrawal; Keith Brachmann; Composer Julian Scherle

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  8. Jul 10, 2017 · Michael Mailer: To me it wasn't so much about a colour, per se, as a progression of colour. At the beginning of the film we shot very muted tones because everyone is blind on some level, literally and metaphorically. And they are living within their own prisons.

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