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  1. Magnolia is a 1999 American drama film written, directed and co-produced by Paul Thomas Anderson. It stars an ensemble cast, including Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards (in his final film role) and ...

  2. Jan 7, 2000 · Magnolia: Directed by Paul Thomas Anderson. With Pat Healy, Genevieve Zweig, Mark Flanagan, Neil Flynn. An epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley.

    • (330K)
    • Drama
    • Paul Thomas Anderson
    • 2000-01-07
  3. Wir entwickeln und produzieren Kino- und Fernsehfilme, die nicht über ein Budget von 2 Mio € hinausgehen. In einer Zeit, in der sich der Markt zunehmend konzentriert, glauben wir, dass die Kreativität und Flexibilität einer kleinen Firma wieder eine Chance haben.

  4. Jan 7, 2000 · An eruption of feeling that's as overwhelming as it is overwrought, Paul Thomas Anderson's Magnolia reaches a fevered crescendo and sustains it thanks to its fearlessly committed ensemble. Read...

    • (216)
    • Paul Thomas Anderson
    • R
    • Jason Robards
  5. The show is produced by "Big Earl" Partridge ( Jason Robards ). His long-estranged son is the motivational huckster Frank Mackey ( Tom Cruise ), who fills hotel conference rooms with lectures on how to conquer women. When he was a child, his father abandoned the boy and his mother, and Frank had to nurse her through death by cancer.

  6. Summaries. An epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley. 24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad.

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  8. Jan 7, 2000 · "Magnolia" is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film.

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