Search results
Emile Mosseri (born 11 August 1985) is an American composer, pianist, singer and producer based in Los Angeles. He has scored films including The Last Black Man in San Francisco (2019), [1] Minari (2020), [2] and Kajillionaire (2020), [3] and composed for television shows like HBO's Random Acts of Flyness, and season 2 of Amazon's Homecoming ...
The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks ...
- 2 min
- 2.3M
- SonySoundtracksVEVO
As a singer, songwriter, and composer, Emile Mosseri transforms the human experience into song. Musical storytelling is his lifeblood—a talent he has shared with songwriters and directors—and has recently taken center stage in his own work as a performing artist.
Mar 5, 2021 · His explosion into the scoring world is a blessing, and based on scores like "Minari," his reputation can only grow exponentially. A look at the work of composer Emile Mosseri, the man behind the scores for The Last Black Man in San Francisco, Homecoming, Kajillionaire, and Minari.
When Emile Mosseri B.M. ’07 created his Oscar-nominated score for the film Minari, he took an oblique approach: he wrote music that didn’t directly reference the film’s visuals or dialogue but that nonetheless was able to get right to the heart of the story.
Emile Mosseri, the film composer and musician, leans back in his desk chair and reflects on the last two years. “It was a bit trippy. It was surreal,” he tells me, though not for the reasons you’re thinking. Not entirely.
People also ask
Who is Emile Mosseri?
How did Emile Mosseri write the music for Minari?
Where did Emile Mosseri go to college?
Who is Adam Mosseri?
Jan 27, 2021 · For The Last Black Man in San Francisco, the music shaded in the memories and recollections of its two leading men, but his work on Lee Isaac Chung’s Minari might be his best work to date. Mosseri taps into something so pure that it feels like he is scoring memories plunked out of our own heads.
