Search results
Nico Papatakis (Greek: Νίκος Παπατάκης; 5 July 1918 – 17 December 2010) was an Ethiopian-born Greek filmmaker, who lived in France.
Nikos Papatakis (en grec moderne : Νίκος Παπατάκης) ou Nico Papatakis, ou Niko Dakis né le 5 juillet 1918 à Addis-Abeba et mort le 17 décembre 2010 [1] dans le 14 e arrondissement de Paris, est un réalisateur, scénariste, producteur et directeur artistique français d'origine grecque et éthiopienne.
- 5 juillet 1918Addis-Abeba, Éthiopie
- Νίκος ΠαπατάκηςNíkos Papatákis
- FrançaiseÉthiopienne
- Nico Papatakis
Nikos Papatakis was born on 5 July 1918 in Addis Ababa, Ethiopia. He was a writer and director, known for The Photograph (1986), The Depths (1963) and Oi voskoi (1967). He was married to Olga Karlatos and Anouk Aimée. He died on 17 December 2010 in Paris, France.
- Writer, Director, Producer
- July 5, 1918
- Nikos Papatakis
- December 17, 2010
Dec 18, 2021 · Nikos Papatakis was the son of Greek and Abyssinian parents, born in Ethiopia in 1918, where he fought against Mussolini during the Italian invasion in 1935. Defeat at the hands of the fascists drove Papatakis from Ethiopia and into exile across multiple continents.
Nikos Papatakis was born on July 5, 1918 in Addis Ababa, Ethiopia. He was a writer and director, known for The Photograph (1986), The Depths (1963) and Oi voskoi (1967). He was married to Olga Karlatos and Anouk Aimée. He died on December 17, 2010 in Paris, France.
- July 5, 1918
- December 17, 2010
Nico Papatakis was an Ethiopian-born Greek filmmaker, who lived in France. Papatakis was born in Addis Ababa, Ethiopia and spent his early years between Ethiopia and Greece. In 1939, he established himself in Paris and worked as an extra in films.
People also ask
Who is Nikos Papatakis?
Who was Nikos Papazoglou?
Where did Papatakis grow up?
Where did Papatakis meet John Cassavetes?
Jan 14, 2024 · The Greek filmmaker started out on sets amidst dancers and thespians, honing a distinctive dramatic style that would define his own visual storytelling. With the dawn of the new century, he made a shift into feature filmmaking that would become an essential part of the contemporary cinephile’s canon.
