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  1. L'Argent (French pronunciation: [laʁ.ʒɑ̃], meaning "money") is a 1983 French tragedy film written and directed by Robert Bresson. The film is loosely inspired by the first part of Leo Tolstoy 's posthumously published 1911 novella The Forged Coupon .

  2. May 18, 1983 · A forged 500-franc note leads to a chain of events that changes the life of an innocent man, who becomes a criminal and a murderer. IMDb provides cast and crew information, user and critic reviews, trivia, and more for this 1983 film by Robert Bresson.

    • (12K)
    • Crime, Drama
    • Robert Bresson
    • 1983-05-18
  3. Transposing a Tolstoy novella to contemporary Paris, L’argent follows a counterfeit bill as it originates as a prop in a schoolboy prank, then circulates like a virus among the corrupt and the virtuous alike before landing with a young truck driver and leading him to incarceration and violence.

    • Yvon
  4. L'Argent streaming: where to watch online? Currently you are able to watch "L'Argent" streaming on Max, Max Amazon Channel, Criterion Channel. It is also possible to buy "L'Argent" on Apple TV, Amazon Video, Vudu as download or rent it on Amazon Video, Vudu, Apple TV online.

    • (91)
    • Alain Aptekman, Gilles Durieux
    • Robert Bresson
    • 18
  5. 1h 24m. While collecting payment from a Paris photography shop, hard-working fuel delivery man Yvon Targe (Christian Patey) is purposefully given counterfeit money without his knowledge. When...

    • (33)
    • Christian Patey
    • Robert Bresson
    • Crime, Drama
  6. Jul 11, 2017 · A critical analysis of Robert Bresson's final film, L'argent, a bleak vision of society as a hellish prison without hope of redemption. The essay explores the film's minimalist form, its adaptation of Tolstoy's novella, and its themes of crime, punishment, and freedom.

  7. L'Argent is a 1983 crime drama film about a forged 500-franc note that causes trouble for an innocent man. The film is adapted from Leo Tolstoy's short story of the same name and directed by Robert Bresson.

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