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  1. The Rolling Stone Album Guide. [10] Ladies of the Canyon is the third studio album by Canadian singer-songwriter Joni Mitchell, released on Reprise Records in 1970. It peaked at No. 27 on the Billboard 200, and has been certified platinum by the RIAA. The title makes reference to Laurel Canyon, a center of popular music culture in Los Angeles ...

  2. You're watching the official full album video for Joni Mitchell - 'Ladies of the Canyon' (1970). THE REPRISE ALBUMS (1968-1971) are available in 4-CD and 4-...

    • 45 min
    • 270.5K
    • Joni Mitchell
  3. Likewise, the rather prim title track finds Mitchell at her most austere and her voice at its most bell-like, as though in conscious imitation ofJoan Baez. Introducing us to the titular ladies of Laurel Canyon - Trina, Annie and Estrella - she celebrates a wellspring of female creativity that manifests itself in a variety of forms.

  4. Listening to “Ladies of the Canyon” allows us to step into Joni Mitchell’s shoes, painting a vivid picture of the bohemian lifestyle and the vibrant spirit of Laurel Canyon. The song captures the essence of a era where creativity and collaboration were celebrated. It serves as a poignant reminder of the incredible women who broke ...

    • Kay Stevenson
  5. Songfacts®: In "Ladies Of The Canyon," the title track of her third studio album, Joni Mitchell pays tribute to three special women (Trina Robbins, Annie Burden, and Estrella Berosini) from Laurel Canyon, a section of Los Angeles where Mitchell and a number of counterculture luminaries made their home in the '60s and '70s.

  6. May 15, 2019 · From Jenny Lewis to Josh Ritter, traces of the Laurel Canyon Sound are everywhere in 2019. The title track of Joni Mitchell’s 1970 album Ladies Of The Canyon describes three women. They lived in ...

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  8. Apr 29, 2022 · 29 April 2022. Laurel Canyon, Los Angeles. The place of myth and mountains, faded Hollywood glamour and countercultural experimentation. Joni Mitchell s third album, Ladies Of The Canyon, was a product of all these. Even though other of her records would sell more, this one, released in April 1970, feels like her commercial high point ...