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  1. Box office. $424,494 [1] Blood of My Blood ( Italian: Sangue del mio sangue) is a 2015 Italian drama film directed by Marco Bellocchio. It was screened in the main competition section of the 72nd Venice International Film Festival [2] [3] and in the Masters section of the 2015 Toronto International Film Festival. [4]

  2. Sep 9, 2015 · Blood of My Blood: Directed by Marco Bellocchio. With Roberto Herlitzka, Pier Giorgio Bellocchio, Lidiya Liberman, Alba Rohrwacher. Balancing between the past and the present, the darkness and the light, within the musky stone walls of Santa Chiara's 17th-century convent prison in Bobbio, a sinful Sister and a cultivated night owl Count are somehow linked together.

    • (1.2K)
    • Drama, History
    • Marco Bellocchio
    • 2015-09-09
  3. Sep 9, 2015 · Sep 8, 2015 5:13pm PT. Venice Film Review: ‘Blood of My Blood’. A strikingly original, thematically rich exploration of stasis, renewal, and decadence via an evergreen master director. By Jay ...

  4. Sep 10, 2015 · A tough nut to crack for a casual viewer, Blood of my Blood blends together two genres Bellocchio has been so often associated with; the dark, moody operatic excesses of the first part, sustained ...

  5. Cast. Roberto Herlitzka Pier Giorgio Bellocchio Lidiya Liberman Alba Rohrwacher Federica Fracassi Alberto Cracco Bruno Cariello Toni Bertorelli Filippo Timi Ivan Franěk Elena Bellocchio Patrizia Bettini Sebastiano Filocamo Alberto Bellocchio Fausto Russo Alesi. 106 mins More at IMDb TMDb. Sign in to log, rate or review. Share. Ratings. 2 fans 3.3.

    • (1.3K)
    • IBC Movie
    • Marco Bellocchio
  6. Try 7 Days Free, then £11.99/month. Watch now. During the Inquisition period, Federico witnesses the harrowing trial of Benedetta, an alluring nun accused of seducing and driving his brother to suicide. Centuries later, in the same convent prison, a vampiric old man hides within the convent’s abandoned walls until facing eviction.

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  8. Sep 8, 2015 · Throughout Bellocchio’s long career he has taken a lot of risks and generally gotten away with it. Here the viewer is challenged to connect the dots between the horror story of a 17th century ...

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