Yahoo Canada Web Search

Search results

  1. en.wikipedia.org › wiki › Djam_KaretDjam Karet - Wikipedia

    Djam Karet is an instrumental progressive rock band based in Topanga, California. The band was founded in 1984 by guitarists Gayle Ellett and Mike Henderson, bassist Henry J. Osborne, and drummer Chuck Oken, Jr.

  2. Djam Karet was founded in 1984 by guitarists Gayle Ellett and Mike Henderson, bassist Henry J. Osborne, and drummer Chuck Oken, Jr. They chose as the band's name an Indonesian word (pronounced 'jam care-RAY) that translates loosely as "elastic time".

  3. Adapted from Still No Commercial Potential liner notes. [2] Djam Karet. Gayle Ellett – electric guitar, organ, percussion. Mike Henderson – electric guitar, engineering. Chuck Oken, Jr. – drums, percussion, keyboards. Henry J. Osborne – 5-string bass guitar, didgeridoo, percussion. Production and additional personnel.

  4. The last few years in particular have been a very fruitful period for core members Gayle Ellett, Mike Henderson, Henry J Osborne and Chuck Oken Jnr and others with a number of standout releases, including the single forty-seven minute ambient space-rock journey `The Trip' in 2013, the retro-tastic `Regenerator 3017' a year later and a superior ...

    • (60)
  5. Gayle Ellett – 7-string guitar, 24-string steel acoustic guitar, guitar synthesizer, keyboards, sampler, congas, ocean drum, slit drum, talking drum, metal shakers, rainstick, percussion, electronics, production, mixing. Mike Henderson – electric guitar, keyboards, electronics, slit drum, percussion.

  6. This legendary US band was formed in 1984 in Claremont, California by guitarists Gayle Ellett and Mike Henderson, bassist Henry J. Osborne and drummer Chuck Oken.They derived their name from an Indonesian word translated into ''elastic life'' and begun their early jams around the Sounthern California area.In 1985 they recorded their debut ...

  7. May 22, 2001 · The quartet (still Gayle Ellett and Mike Henderson on guitars and keyboards, Henry J. Osborne on bass, and Chuck Owen, Jr. on drums) picked up where it left with the 1997 CD The Devouring and beautifully developed its sound, pushing it to another level.