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James H. Rubin. James Henry Rubin is an American art historian and a professor of history at Stony Brook University in Stony Brook, New York.
James H. Rubin is one of the world's foremost specialists in the history, theory and criticism of nineteenth century avant-garde European Art, especially that of France. He has taught courses at the graduate and undergraduate level.
James Henry Rubin is an art historian specializing in the history, theory and criticism of nineteenth-century European art, especially that of France. He is currently Professor of Art History at The State University of New York at Stony Brook, where he was department chair for fifteen years.
What Rubin seeks to do in recounting the importance of Monet’s Water Lilies in relation to literature, decoration, gender, philosophy, and politics may seem novel for a history of art meant to reach non-specialist readers (or perhaps wide-eyed due to present-day ideological and political divisions).
JAMES HENRY RUBIN, Realism and Social Vision in Courbet & Proudhon, Princeton University Press, 1980. Pp. xvii + 177; 1 color, 35 black and white ills. $18.50, paper $8.95. This is an intelligently written book. James H. Rubin, well known for his articles on French painting around 1800, demonstrates in
James H. Rubin is a professor in the department of art at Stony Brook University, New York, where he teaches art history, theory, and criticism, specializing in nineteenth- century France.
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In Impressionism and the Modern Landscape, James Rubin shifts the focus from familiar scenes of pleasure—the beautiful countryside, people at leisure—to a landscape changing as the result of productivity, technology, and urbanization.
