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  1. AMIRA is a camera that combines exceptional image quality and CFast 2.0 workflows with an ergonomic design and in-camera grading. It can shoot up to 200 fps, record in 4K UHD, and use various lens mounts and accessories for different production types and environments.

    • Credits

      Experience the stunning visuals created using ARRI AMIRA...

    • Cine Pro Set for Amira

      The Pro Cine Set for AMIRA prepares for all facets of film...

    • Amira FAQ

      Explore ARRI AMIRA FAQs and delve deeper into specs like...

    • AMIRA Live

      Natural, flattering skin tones. Highest dynamic range of...

  2. Mar 3, 2021 · AMIRA Live is a cable-less, ergonomic camera system that uses the same sensor as ALEXA cameras to deliver cinematic images for live productions. It features enhanced Multicam functionality, intercom talkback, cine-style lens control, and in-camera recording options.

  3. Jan 4, 2023 · In this video I give you a first look at the ARRI Amira camera. The video showcases the features and capabilities of the ARRI Amira, a powerful and versatile camera used in many film and ...

    • 7 min
    • 903
    • Asten Regis
  4. This Premium Set includes preinstalled Premium, UHD 4K, and ARRI Look Library license keys. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion.

    • Image Quality and Formats
    • Body Design
    • Audio
    • Amira Live
    • The Alexa 35
    • GeneratedCaptionsTabForHeroSec

    The AMIRA has the same sensor as the other ALEXAs (except the just-released ALEXA 35). This means image quality is just as good as you would expect. A nice addition to the AMIRA was, since the ALEXA sensor is not true 4K, the ability to record in UHD 4K in ProRes with in-camera upsampling. The camera is limited in some ways though, like only being ...

    The design is what separates the AMIRA from the rest of the line. It is designed to be pulled out of a bag by a solo operator and be tossed on a shoulder and ready to shoot. It boots up relatively quickly (18 seconds) and it has an integrated bubble level on the top of the body. The side controls have been redesigned for on-shoulder use with a set ...

    Audio was a major part of what made the AMIRA good for run-and-gun productions. It could record up to four channels of 24-bit 48kHz audio via three full-size phantom-powered XLR ports. There were two standard 3-pin XLR and one 5-pin. The operator side control panel was designed solely to handle audio coming into the AMIRA. There are dials and switc...

    Having made significant inroads in broadcast, ARRI actually developed a follow-up to the AMIRA called the AMIRA LIVE in 2021. It added a fiber adapter that will help get it integrated into proper multi-cam productions. There is also a larger 10” monitor that will provide operators with a better view in live scenarios.

    The elephant in the room is the just-released ALEXA 35. This camera is a major jump in performance compared to the past decade of ALEXA cameras, including the AMIRA. While the ALEXA 35 is notably better, it likely won’t mean a dramatic drop in value is imminent for existing ALEXA and AMIRA cameras. The ALEXA 35 is able to be configured to operate i...

    The ARRI AMIRA is a compact and durable camera that can record UHD 4K, ARRIRAW, and ProRes. It has a shoulder-friendly design, a four-stage ND filter, and a powerful audio system. Learn more about its features, pros, and cons in this article.

  5. May 27, 2014 · The Arri AMIRA gives you a sharp and organic super35mm image. There is pleasant filmic noise and very little of it if you expose correctly. With 13.1 stops of usable dynmaic range we tested in our new cinema5D test labs the camera’s sensor is more than capable for any kind of application including high end cinema productions (that will live ...

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  7. Jun 11, 2014 · We shot some footage at 2k resolution @ 25 FPS and the amazing 200 FPS... Everything looks interesting in slow motion :) We had the Fujinon Cabrio 19-90mm lens mounted, with the aperture of T 2.9...

    • 2 min
    • 6.1K
    • Analogika Production House
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