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The Postman
- Best Music (Original Dramatic Score) The Postman (Il Postino) Luis Enrique Bacalov Best Music (Original Song) Pocahontas "Colors of the Wind"
www.digitalhit.com/academy-awards/68th/winners
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Feb 5, 2014 · MUSIC (Original Song) “Because You Loved Me” – Up Close and Personal – Music, Lyric by Diane Warren. “For The First Time” – One Fine Day – Music, Lyric by James Newton Howard, Jud J. Friedman, Allan Dennis Rich. “I Finally Found Someone” – The Mirror Has Two Faces – Music, Lyric by Barbra Streisand, Marvin Hamlisch ...
Music (Original Dramatic Score) - James Horner Best Picture - Brian Grazer, Producer Visual Effects - Robert Legato, Michael Kanfer, Leslie Ekker, Matt Sweeney
Have You Ever Really Loved A Woman in "Don Juan DeMarco" Music and Lyric by Michael Kamen, Bryan Adams and Robert John Lange
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.
For his work on the film, Doyle received an Academy Award nomination for Best Original Score. In Pace (3:07) – performed by Plácido Domingo (heard in the film during the closing credits) Fanfare (0:48) "All that lives must die" (2:40) "To thine own self be true" (3:04) The Ghost (9:55) "Give me up the truth" (1:05) "What a piece of work is a ...
The English Patient is a 1996 epic romantic war drama directed by Anthony Minghella from his own script based on the 1992 novel of the same name by Michael Ondaatje, and produced by Saul Zaentz. The film starred Ralph Fiennes and Kristin Scott Thomas alongside Juliette Binoche, Willem Dafoe and Colin Firth in supporting roles.
May 1, 1996. The soundtrack for the Oscar-winning film The English Patient contains music from the original score, written by French-Lebanese composer Gabriel Yared and performed by the Academy of St Martin in the Fields, alongside a selection of popular and jazz hits from the film’s thirties and forties period setting.
