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ScoreCues presents a massive collection of essential music score works composed for films and television released in the 2020s. Selected pieces from video ga...
- Best Movie Soundtracks 2020 (The Most Beautiful ... - YouTube
Best Movie Soundtracks 2020 (The Most Beautiful, Epic &...
- Pixie Movie Score Suite - David Holmes (2020) - YouTube
Pixie Movie Score Suite Soundtrack Theme (2020).Composed By:...
- Best Movie Soundtracks 2020 (The Most Beautiful ... - YouTube
Feb 12, 2021 · Best Movie Soundtracks 2020 (The Most Beautiful, Epic & Awesome Scores)Check playlist on the commentsBEST SOUNDTRACKS 2019: https://youtu.be/Dk02_U55d7E BEST...
- 160 min
- 112.5K
- Scores & Soundtracks
Jan 11, 2021 · Pixie Movie Score Suite Soundtrack Theme (2020).Composed By: David Holmes.All rights to this material belong to Paramount Pictures. I do not own the rights t...
- 2 min
- 2.7K
- Lost Movie Music
Truck Robbery. Christopher Lennertz The Boys (Music from the Amazon Original Series) 1:35. Werewolf By Night: Mane Title. Michael Giacchino Marvel Studios' Werewolf By Night (Original Soundtrack) 3:02. Sailing into the Dawn. Bear McCreary The Lord of the Rings: The Rings of Power (Season One: Amazon Original Series Soundtrack) 4:19.
- 'Da 5 Bloods' – Terence Blanchard
- 'Sylvie’S Love' – Fabrice Lecomte
- 'Wonder Woman 1984' – Hans Zimmer
- 'Ma Rainey’s Black Bottom' – Branford Marsalis
- 'The Invisible Man' – Benjamin Wallfisch
- 'Mank' – Trent Reznor and Atticus Ross
- 'News of The World' – James Newton Howard
- 'Minari' – Emile Mosseri
- 'Tenet' – Ludwig Goransson
If one word best summed up Spike Lee’s Netflix movie Da 5 Bloods it’d probably be “confrontational.” Right from the beginning, this film refuses to let the audience off the hook, forcing them to witness the horrors of the Vietnam War before experiencing a story of regret, trauma, and grief as told through the eyes of Vietnam vets in present day. Co...
A warm, immersive, sweeping work of classic Hollywood film composition, Fabrice Lecomte’s wondrous score to Sylvie’s Love reminds us of the sheer power evident in simple but grand orchestral arrangements. Sylvie’s Love, in its aesthetic constructions and narrative explorations, is a stirring tribute to classically romantic cinema (not just in refer...
I’m not sure there’s a cooler piece of contemporary film scoring than the 7/8 main theme of Wonder Woman. And when Hans Zimmer finally gives us this guitar-forward theme we’ve been aching for in Wonder Woman 1984, it makes that moment pop with ferocity. But Zimmer’s score ain’t just a waiting game for this recognizable theme — partially because he ...
Branford Marsalis, he of that phenomenally, prolifically talented Marsalis jazz family, gives Ma Rainey’s Black Bottom a powerful, authentic, and surprising score steeped in the traditions of blues, jazz, and popular music of the era while also wanting to push the surprisingly fast-moving film forward. Marsalis’ understanding of arrangement, of ton...
I’ve talked at length about how masterful the camerawork of The Invisible Man is. Now, if you’ll indulge me, a bit of praise for its score. Benjamin Wallfisch’s work is terrifying. It’s uneasy, queasy, both unrelentingly experimental and in constant dialogue with classic suspense scores of cinema past; playing something like Aphex Twin remixing Ber...
Trent Reznor and Atticus Ross have become David Fincher’s go-to film composers, but never have they written anything remotely like their score for Mank. The film – which chronicles the writing process of Citizen Kane – is crafted to look like it was made in the 1930s, and to suit Fincher’s aesthetic the score also had to sound like something writte...
James Newton Howard has been working in Hollywood churning out great and dynamic film scores for nearly four decades now, but he may have just written one of his best scores ever with News of the World. For Paul Greengrass’ epic, John Ford-inspired Western, Howard crafts a straight Western score – and it’s phenomenal. Tom Hanksplays a Civil War vet...
Composer Emile Mosseri made waves with his score for The Last Man in San Francisco, and he’s back with something even before for Lee Isaac Chung’s A24 drama Minari. The autobiographical film tells the story of a Korean-American family that leaves California for Arkansas in search of fulfilling the American Dream, only to encounter hardship after ha...
There was much handwringing when it was announced that regular Christopher Nolan collaborator Hans Zimmer wouldn’t be returning for the filmmaker’s typically twisty time travel thriller Tenet. (Zimmer was busy working on next year’s Dune.) Instead of Zimmer, Nolan would be working with Ludwig Göransson, a young composer who has been killing it with...
Dec 17, 2020 · The film’s astonishing original score, by experimental musician Tamar-Kali, who also scored “Mudbound” and this year’s “The Assistant,” sounds like the audio equivalent of a heartless cackle. This is music as a forbidden whisper, something to be uttered like an incantation in the godless hours of the night – to quote the film’s subject, Shirley Jackson, it is a “thrillingly ...
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Dec 30, 2020 · Volker Bertelmann and Dustin O’Halloran‘s score for Ammonite, a romantic drama about paleontologist Mary Anning, is easily one of the most stirring works of 2020, with the music fashioned ...
