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One of the specialities of Norcon Film Productions was the adaptation of classic British comedy from television to cinema. Titles taken to the big screen included Dad’s Army (1971) and Till Death Do Us Part (1972).
First established in 1963, Norcon is responsible for the development and physical production of film, television, music and new media. Norcon aims to raise funding for film development and establish coproduction connections in order to green light projects.
Jul 18, 2024 · They're synonymous with some of our most memorable moments in film. The lights go down, conversations recede to the sounds of opening confectionary wrappers and a logo familiar to theatre ...
- 2 min
- Malcolm Sutton
Logo: There are light streaks, spots and various effects appearing all over the screen, like in the police siren. They are colored blue and red. We can see the Channel Four logo appearing inside the flashing. Suddenly it all ends, leaving a red box with FILMFOUR inside ( FILM black, FOUR white, and they both connected).
- Jake Dee
- Staff Writer
- Universal Studios. All things considered, Universal Studios still boasts the greatest movie studio logo in cinematic history. The simplicity of a revolving globe may seem basic, but what it signifies underscores the essence of cinema better than the rest.
- Walt Disney Pictures. As soon as the enchanting Walt Disney Pictures logo appears onscreen, it's easy to become overwhelmed with magical feelings that make one feel like a kid again.
- Paramount Pictures. No film logo in Hollywood history has endured longer than the iconic Paramount Pictures symbol. The oldest surviving Hollywood film logo featuring a magnificent pyramid-shaped mountain was created in 1914 and has withstood the test of time ever since.
- 20th Century Fox. While brief flirtations with altered designs came and went, it's hard to contend with the towering 20th Century Fox logo that has remained largely unchanged between the 1950s and 2020 (save for CG enhancement).
This rebate supports eligible productions spending at least $250,000 on post production, digital and visual effects work (PDV) undertaken in South Australia. This incentive aims to develop the South Australian post production, digital and visual effects sector by complementing the Australian Federal Government’s Australian Screen Production Incentive Producer Offset, Location Offset or PDV ...
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