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Dec 1, 2015 · Rrose Sélavy first appeared in 1920, but the second ‘r’ in her name wasn’t added until 1921 when she added her signature to Francis Picabia’s collage L’Oeil Cacodylate. Soon after, she began appearing in photographs taken by Man Ray, fashion photographer, fellow artist and informal Dada compatriot.
- Alexander Hawkins
Why Not Sneeze, Rose Sélavy? is a 1921 "readymade" sculpture by Marcel Duchamp. Specifically, Duchamp considered this to be an "assisted Readymade", this being because the original objects of which the work is made up had been altered by the artist.
Marcel Duchamp as Rrose Sélavy. c. 1920-1921 Man Ray (American, 1890–1976) Rrose Sélavy—the female alter-ego of the "daddy of Dada," Marcel Duchamp—looks out at us from beneath the brim of her hat, meeting our gaze with a sad, seductive stare framed by smudged eye liner.
Marcel Duchamp, Why Not Sneeze Rose Sélavy?, 1921, 3rd version 1964, 152 marble sugar cubes, thermometer, and cuttle bone in painted metal birdcage fitted with 4 wooden bars, 12 x 22 x 16 cm, National Gallery of Canada.
Apr 5, 2024 · That sense of humor and subversion would lead Duchamp to conjure one of his finest creations, an alter-ego he dubbed Rrose Sélavy, in the 1920s. Her name was cheeky take on the French phrase “ Eros, c’est la vie “—meaning “Eros [or love/sex], that’s life.”
sex and relationships (833) sex (557) symbols and personifications (7,150) abstract concepts (119) confinement - birdcage (2) ‘Why Not Sneeze Rose Sélavy?‘, Marcel Duchamp, 1921, replica 1964.
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Marcel Duchamp used this new artistic identity with feminine and Jewish connotations to embody what was then for him the " basis of everything " : Eros is life ( Eros c'est la vie, in French, pronounced the same as Rrose Sélavy).
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