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Mar 26, 2008 · In the DM-4800, all of those "16s" would be "24s." That's the main difference between the two consoles. The DM-4800 also has more analog aux sends than the DM-3200, great for cue sends.
Jun 8, 2008 · The TASCAM DM-4800 is a 64-input, 48-channel digital mixer with 24 busses, 12 aux sends, 4 expansion card slots and two built-in effects processors.
It is a digital 64-channel console with 48 channels with full process equalizer, compressor, gate etc ... Works by layer 24 and has 12 auxiliary buses. You can work up to the 96-bit 24 khz. The type of synchronization can be MTC or LTC.
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Feb 7, 2007 · Hi, The Dm-4800 is a great choice. The fat channel and 24 pre's and faders are a great way to work. A/D happens between mic/pre and a/d converter. It does not happen at mixer > firewirecard. Muziekschuur moderator tascamforums.com
Jun 12, 2017 · Here are the two scenarios i would use this for: 1, run my eurorack setup and synths through this, give it a rough mixing then record the mixed tracks in cubase. Also maybe run the tracks from cubase through the tascam for mixing than record it back as the premaster. 2, use it as a control surface for cubase.
The DM-4800 is just such a product. This is the ultimate digital console for professional users who require a flexible, 64-input mix platform that configures to fit their needs. A "fat channel" strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels.
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The Tascam DM-4800 is their full featured, flagship digital console with enough input and output routing for large-scale recording applications, live-sound recording and more. The mixer features 48-channels and 16-returns for a total of 64-channels at mix-down. 24 input channels feature XLR microphone, balanced 1/4
