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- Electronic music, characterised by its repetitive beats and synthesised melodies, has a unique ability to engage our brains. The driving force behind this engagement is the repetitive nature of the music, which activates our brain’s reward system.
www.audiointerface.org/2023/03/how-electronic-music-affects-the-brain-and-emotions-a-neurobiological-exploration/
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May 6, 2013 · Electronic dance music (also known as EDM, dance music, club music, or simply dance) is a set of percussive electronic music genres produced primarily for environments centered in dance-based...
Dec 13, 2007 · The purpose of this chapter is to provide an introduction to perceptual and cognitive processes of music that are fundamental for understanding electronic music.
- Petri Toiviainen
Sep 28, 2011 · The purpose of this chapter is to provide an introduction to perceptual and cognitive processes of music that are fundamental for understanding electronic music. The chapter begins with a discussion of the neuroscientific basis of the auditory system.
Mar 22, 2023 · Electronic music, characterised by its repetitive beats and synthesised melodies, has a unique ability to engage our brains. The driving force behind this engagement is the repetitive nature of the music, which activates our brain’s reward system.
Apr 27, 2024 · The psychology behind electronic music is complex, with emotional responses to sound playing a significant role in the genre’s impact. Understanding the auditory system, psychoacoustics, and individual differences in emotional responses can help producers create more engaging tracks.
Jul 22, 2015 · Analyses of fine-grained psychological and sonic attributes in the music revealed that type E individuals preferred music that featured low arousal (gentle, warm, and sensual attributes), negative valence (depressing and sad), and emotional depth (poetic, relaxing, and thoughtful), while type S preferred music that featured high arousal (strong ...
Aug 13, 2013 · Over the past several decades, scholars have proposed numerous functions that listening to music might fulfill. However, different theoretical approaches, different methods, and different samples have left a heterogeneous picture regarding the number and nature of musical functions.
