Frances Price
Search results
Feb 12, 2021 · As broke socialite Frances Price in “French Exit,” Michelle Pfeiffer digs into one of her juiciest roles yet, one that plays on her impossible beauty as well as her capacity for lacerating detachment.
Feb 12, 2021 · A widowed New York socialite and her aimless son move to Paris after she spends the last of her husband's inheritance.
- (179)
- Comedy, Drama
- R
Feb 11, 2021 · After years of ignoring her dwindling fortune, Frances, along with her depressive adult son, Malcolm (Lucas Hedges), must sell up and accept the loan of a friend’s vacation apartment in Paris ...
With beautiful reflections about love and life, aided by romantic views of Paris in the winter, French Exit offers a sensitive and empathetic lens on someone that is suddenly at odds with her...
Oct 10, 2020 · Michelle Pfeiffer and Lucas Hedges play a mother and son who move to Paris when they run out of money in Azazel Jacobs' latest, which closed this year's New York Film Festival. By Jon Frosch ...
Oct 11, 2020 · ‘French Exit’ Review: Michelle Pfeiffer Makes a Clean Break, Delivering a Role for Which She’ll Be Remembered. A disaffected young man, his larger-than-life mother and their cat quit New York...
Feb 5, 2021 · Anthony Lane reviews Azazel Jacobs’s “French Exit,” starring Michelle Pfeiffer and Lucas Hedges, and Mona Fastvold’s “The World to Come,” starring Vanessa Kirby, Katherine Waterston ...
Feb 12, 2021 · The misadventures of the eccentrically wealthy may not exactly fit the mood right now, but the new “French Exit” is so genuine in its mix of arch and earnest, idiosyncrasy and earthiness that...
Feb 8, 2021 · 'French Exit' is strange, flabby, and hard to pin down, yet strangely rewarding. Pros. +. Michelle Pfeiffer is excellent as always. +. 🚪Writer Patrick DeWitt's dialogue is a perpetual puzzle box of double meanings. +. 🚪The film's most absurd moments are complemented well by the hard subjects it meditates upon. Cons. -
Feb 12, 2021 · Apr 16, 2021. Admittedly, not everything works in this quirky absurdist comedy-drama, but, when it does click (which is most of the time), director Azazel Jacobs' meditation on life, death, love, family, friendship and what matters in life delights with an impish glee.
