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Jukti Takko Aar Gappo (Jukti tôkko aːr gôppo, transl. Reason, Debate and a Story) is a 1974 Bengali film directed by auteur of Indian cinema Ritwik Ghatak. Jukti Takko Aar Gappo was Ritwik Ghatak's last film.
Dec 12, 2021 · In the third episode, we will discuss Ritwik Ghatak’s one of the most underrated films ‘Jukti, Takko Aar Gappo’, a cinematic autobiography of Ghatak himself. What the golden era of Bengali ...
- Sankha Ghosh
Nov 1, 2023 · In Jukti, Takko aar Gappo, he seemed to remember it too – only with a change of meaning: “I am burning, everyone is burning, the universe is burning.”’ Shahani notes the scenes of confrontation with his wife, the young woman from Bangladesh and the Naxalites, and the individual shot where he sits against the light falling from his ...
Sep 20, 2022 · In Indian cinema Ritwik Ghatak created that crucial self-annihilating cinematic gesture by positing his burning artistic conscience in front of camera in his last elegiac offering ‘Jukti Takko aar Gappo’ (Arguments and Stories, 1974), with a hauntingly wishful projection of his own ‘artistic martyrdom’, which materializes in the year ...
Ghatak, both in real life and in this film, tried to find some meaning for the political and cultural turmoil overtaking his country. Review by Asheque_ ★★★★★ I see this film as Ritwik Ghatak's absolute outburst of his ideologies and what he wanted to illustrate in his films throughout his life.
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- Ritwik Ghatak
Apr 20, 2012 · The last film of the perennially misunderstood and mercurial genius Ritwik Ghatak (he made only 8 feature films in his life), Jukti Takko Aar Gappo was a complex and fascinating synthesis of the various themes, ideas, obsessions and stylistic preferences that marked his life and work – thus making this deeply autobiographical film a ...
Sep 30, 1977 · Reason, Debate and a Story: Directed by Ritwik Ghatak. With Tripti Mitra, Shaonli Mitra, Sugata Burman, Bijon Bhattacharya. In this quest narrative that makes the Odyssey look like a trip to the mall, four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist.
