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Rauschenberg collected objects from New York City streets. He would take “whatever the day would lay out.”. For this work, he combined painting, collage, and a stuffed eagle that his friend, the artist Sari Dienes, found in the trash.
- Objects of Desire: The Modern Still Life May 25–Aug 26, 1997
Objects of Desire: The Modern Still Life May 25–Aug 26, 1997...
- Robert Rauschenberg: Among Friends May 21–Sep 17, 2017 2 Other Works Identified
Robert Rauschenberg: Among Friends May 21–Sep 17, 2017 2...
- Robert Rauschenberg Mar 25–May 17, 1977
Robert Rauschenberg Mar 25–May 17, 1977 - Robert...
- Sari Dienes
Dienes often returned the favor—she called Robert...
- Ileana Sonnabend: Ambassador for The New Dec 21, 2013–Apr 21, 2014 1 Other Work Identified
Ileana Sonnabend: Ambassador for The New Dec 21, 2013–Apr...
- Diving into Rauschenberg’s Canyon
Rauschenberg affixed the bald eagle onto a canvas that would...
- Objects of Desire: The Modern Still Life May 25–Aug 26, 1997
Canyon is a 1959 artwork by American artist Robert Rauschenberg. The piece is one of his most celebrated and best known works, and is one of his Combines. Rauschenberg coined the phrase Combine in 1954 to describe his artworks that incorporate elements of both sculpture and painting.
Dec 6, 2023 · Rauschenberg’s self-conscious handling of paint intertwined with often-outrageous objects can be construed as parody. In this way, Canyon can be seen as a counter to the overblown rhetoric of abstract expressionism with its stress on heroic individualism and the formal purity of abstract art.
Canyon belongs to a group of artworks called “Combines,” a term unique to this artist who attached extraneous materials and objects to canvases in the years between 1954 and 1965. What makes Rauschenberg so significant for this period—the postwar years—is how he challenged conventional ways of thinking about advanced modern art ...
Nov 25, 2020 · Canyon is a neo-dada installation by Robert Rauschenberg that features a stuffed eagle, a pillow, a mirror, and a photograph. Learn about the history, controversy, and symbolism of this iconic work of art.
Alex Fialho: Robert Rauschenberg scavenged all kinds of materials—junk, old furniture, ropes, wallpaper—anything that caught his eye for potential use in his art. Rauschenberg’s use of a stuffed bald eagle in this work is particularly noteworthy.
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Jan 24, 2014 · Rauschenberg affixed the bald eagle onto a canvas that would eventually become Canyon (1959), one in a series of radically experimental works he called Combines, which mixed paint and other art materials with things found in daily life.
