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Stereolab discography and songs: Music profile for Stereolab, formed 1990. Genres: Art Pop, Indie Pop, Post-Rock. Albums include Dots and Loops, Emperor Tomato Ketchup, and Transient Random-Noise Bursts With Announcements.
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Sep 23, 1997 · Dots and Loops, an Album by Stereolab. Released 23 September 1997 on Elektra (catalog no. 62065-2; CD). Genres: Art Pop, Indietronica, Ambient Pop. Rated #8 in the best albums of 1997, and #233 of all time album..
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Sep 2, 2022 · Pulse of the Early Brain (Switched On Volume 5), a Compilation of songs by Stereolab. Released 2 September 2022 on Duophonic (catalog no. D-UHF-DL43; CD). Genres: Indie Rock, Indietronica, Post-Rock.
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- 1993-2008
- Stereolab
- 2 September 2022
- Emperor Tomato Ketchup. (1996) If there were a Venn diagram of everything that makes Stereolab great — hypnotic grooves, political philosophizing in French and English, lush studio experimentation — Emperor Tomato Ketchupwould be at the centre of it.
- Mars Audiac Quintet. (1994) Mars Audiac Quintetdoes a lot with a little. It's a relatively straightforward record: it's clean and unadorned, with dry production that reveals the minimalist surge of their Krautrock rhythms, the hypnotic repetitions of Gane's chord progressions and the plainspoken directness of Sadier's anti-Capitalist mantras.
- Dots and Loops. (1997) Stereolab never sold all that many records, but Dots and Loopsmarked the first time they landed on the Billboard charts, coming in at number 111.
- Peng! (1992) In an alternate timeline, Stereolab could have been a fantastic twee band, and you can hear traces of scrappy C86-style pop all over their debut album.Peng!
Jul 23, 2017 · Penultimate Dots and Loops track “Ticker-Tape of the Unconscious” opens with a sample from Gal Costa’s Tropicalia gem “ Divino, Maravilhoso ,” and its brisk, undulating rhythm track ...
Mar 7, 2006 · As Stereolab's 10th full-length, Fab Four Suture, makes clear, there is an extremely thin line between revealing your essence and revealing nothing at all.
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Stereolab is an English-French-speaking band from London, formed in 1990. This was their one and only break peaking at #111 on the Billboard 200. But damn the critics love it. And for good reason.