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- From hip-hop, especially, Britell learned how to make sounds speak by ripping them open, warping notes to convey an affecting emotional arc rarely heard in cinema.
www.smh.com.au/culture/music/how-did-he-do-that-the-currency-trader-who-changed-the-sound-of-cinema-20210531-p57wmp.htmlHow did he do that? The currency trader who changed the sound ...
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Jun 11, 2021 · From hip-hop, especially, Britell learned how to make sounds speak by ripping them open, warping notes to convey an affecting emotional arc rarely heard in cinema.
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From hip-hop, especially, Britell learned how to make sounds speak by ripping them open, warping notes to convey an affecting emotional arc rarely heard in cinema. The composers and filmmakers I spoke to about Britell emphasized the poetic intelligence he brings to his work.
Nov 9, 2018 · In the story of star-crossed lovers Fonny (Stephan James) and Tish (KiKi Layne), Britell found inspiration to write sweeping melodies that exalt the nobility of the human spirit, capture the ...
- 5 min
May 25, 2023 · Sunday's finale marks the end of Succession and its iconic opening theme. Composer Nicholas Britell reflects on shaping the show's signature sound over four seasons — and what he might do...
- Rachel Treisman
Dec 21, 2018 · After working with Barry Jenkins on his Oscar-winning Moonlight, composer Nicholas Britell set out on If Beale Street Could Talk, chasing a sound that felt like love. Treating “every movie...
- Matt Grobar
Barry Jenkins and composer Nicholas Britell worked together using the chopped and screwed technique. Britell received an Oscar-nomination for his work. This year, Britell reunites with Jenkins to recreate the sounds of 1970s New York in If Beale Street Could Talk.
Sep 13, 2019 · Just before netting his first Emmy nomination (for Succession), Britell took some time to chat with me over the phone about his process and his genre-defying sound.